Today I played two gigs. The first was a Please Pleaserock Me/Yacht Rock Revue at the Dunwoody Beer Festival. Just like last year, we had to deal with some on again/off again rain, but the crowd dug our stuff and we dug the crowd. It was super hot and muggy. I did my best to stay hydrated. About the only problem I can think of is that I couldn't see if some of the lights were lit up on the side of the EWI. Outdoor gigs are like that.
Here's the pile of gear I took with me:
After that, I boogied up to Suwanee to play with the Yacht Rock Schooner at the Wild Wing Cafe. It was there that I performed your hit song Lonely Boy (I played the piano part) to the best of my ability, and if I do say so myself, I nailed it. I am sure you would have dug my playing on that tune--Bencuya, G Lee, and Kevin Spencer noted my skills.
The performance was one of my greatest musical accomplishments; I felt like I should have taken a victory lap around the bar draped in an American flag.
From there on, it was normal Yacht Rock stuff, but excruciatingly loud. It sounded like this picture of me looks:
You get the idea.
Anyway, thanks for the tune. I hope to play it again soon (before I forget it).
Thursday was a big gig day. Here's all my gear that I needed to get through the day (minus clothes):
Gig #1: I played saxophone at the Omni hotel downtown for people getting off buses. Here's the drill: bus pulls up, I play saxophone, they walk into the Omni, I stop. Repeat as necessary!
Gig #2: I played a House Live gig with Jeff and Steven. This gig was a tough one--we (Steven and I) need to "fit" into the tracks that Jeff is playing. Unfortunately on this gig, the client asked us to keep the volume super low. I couldn't really hear much of the track (neither could Steven), so I it was more or less the two of us playing for each other and trying to make sure we were in time with the track.
Gig #3: Yacht Rock! Yeah...awesome! The crowd was terrific, and the band played like we were actually pretty into it. Kudos to Mark Dannells, who really ripped it up last night. He said that he's finally getting back on some sort of regular practice schedule, and it sure sounds like it. He was on fire!
Also noteworthy at this gig was the fact that the beer tub girl reported a male and female having sex next to her. This would be approximately ten yards directly in front of me. Yacht Rock will do that to you!
Tomorrow night, I get to play Andrew Gold's Lonely Boy. Faithful readers will recall how much I dig this song. I get to play the piano part. How awesome is that?! I've got to get it right, though, which means I've got some practicing to do. Gotta hold up my end... davidfreemanmusic.net
Last night I played a quartet gig with Tyrone Jackson (keyboards), Joseph Patrick Moore (fretless bass), and Marlon Patton (drums). An awesome musical experience and a very easy gig! I couldn't have asked for more from those guys. Unfortunately, my recording device ran out of batteries about four minutes into the gig, so there is no record of how terrific the band was, save for about three minutes of the first song.
The only damper on the gig was that someone walked through the parking garage breaking into cars last night, including Joe's jeep. They grabbed a bag containing charts he needed for upcoming gigs with Earl Klugh and Bob James (AGH!!!!), but the security guys found his bag in another part of the garage. Evidently charts are of no value to burglars.
I finally cut up the audio from last Wednesday's trio with Louis Heriveaux (keyboard) and Kevin Smith (bass). The mp3s sound like this:
Saturday morning, Peter, Bencuya, and I met at Mark Cobb's house (at the insane hour of 6:30 AM) to gather our equipment and ride to Amelia Island for a wedding reception. We scooped up Nick at the Jacksonville airport. Good thing we had some down time before the gig--we napped HARD.
The wedding reception was very easy. We were playing under the name Constantly Awesome, with myself added on as an extra player. I more or less functioned as lead guitar, which meant that by the end of the night I'd taken saxophone solos over songs like I Love Rock and Roll, Talking in Your Sleep, and Highway to Hell! Here are some pictures from outside the venue.
Sunday morning we piled into the van and drove the six hours back to Atlanta so we could play the Sandy Springs Festival. It was awesome! Probably three thousand people showed up to a really nice outdoor venue and soaked up every note. The weather was perfect, and the sound was right on the money. You can see a cool set of pictures here. Here's a picture of Jack and me after the gig.
This week I have to solve two equipment problems. On Thursday night I discovered that my wireless MIDI unit for the EWI was not functioning. I'm not sure what is happening--both sides (receiver and transmitter) have power, and the lights are flashing like the signal is good, but nothing is happening. Yesterday my effects pedal for my saxophone was not putting out any signal. It powered up fine, but the outputs were dead. God only knows what's wrong with that thing! I played the gig yesterday with the sax going direct and a long MIDI cable. No big deal. Right now, issues like this are never ending.
It's been a week since my last post, faithful reader(s?), so please accept my apologies. I have been super busy.
Here are the highlights:
Monday, April 26, I did a four hour trio gig with Louis Heriveaux (keyboard) and Kevin Smith (bass). We were on the patio outside of Opera (DJ was inside). Unfortunately for us, that meant that we played the smoking section of the gig under and open-sided tent! Yuck. It was also a cool spring evening in Atlanta, so I had some pitch problems and Louis' hands got cold. Here's the audio evidence:
Forty-five minutes from the end of the gig, the client came by and extended us another hour. Ouch! We were on fumes by then. Listening back, there's some good playing, though. Other than pitch, the other problem we had was that the crowd liked to talk to us, sometimes during songs. We were appreciative of the fact that they were listening (and loved what they heard), but come on!
Tuesday, April 27, Yacht Rock played a Roller Disco Party at Masquerade. We pulled out all the BeeGees stuff and a few other disco-oriented gems. We played and all the twenty-somethings rollerskated in tight shorts and high tube socks. It was pretty cool. I liked this gig a lot. Some pictures:
Wednesday, April 28, Please Pleaserock Me played at Smith's Olde Bar. We had an ok turn out. I'm not sure why this one hasn't taken off quicker. People who hear us love it and they know it's the Yacht Rock guys, but the massive crowds have not shown themselves as of yet. We played pretty well.
Thursday, April 29 through Monday, May 3, Yacht Rock was on the Kid Rock "Chillin' the Most" cruise. Similar to the Rock Boat, it was lots of hanging out and drinking. We played two one hour sets over those five days. The destination was supposed to be Grand Cayman, but we ended up going to Nassau, Bahamas, instead due to weather.
I can't say that I really dug any of the bands on the boat. It was a mix of heavy metal and rap/rock--not my thing. The crowd was a mix of older biker chicks (dark tans, lots of tattoos), strippers, a few confirmed porn stars, and men to match. Not my crowd, either.
Here are some pictures:
It's worth watching the video made by all bands on board to thank Kid Rock and Sixth Man (the organizers of the cruise). We're the last thing on there. It's worth watching. Do it for me.
Monday, May 3, Yacht Rock and Please Pleaserock Me played 500 Songs for Kids at Smith's Olde Bar. For the Beatles, we played Hard Days Night. I contributed cowbell on the bridge, and played it very well if I do say so myself. For Yacht Rock, we ended up selecting November Rain. I was given the task of playing the string part. I was terrible. Do you hear me? TERRIBLE. Easily my worst performance with Yacht Rock in well over a year. I severely embarrassed myself, so when the gig was over, I threw my keyboard in the case and ran out the back door. I really hated myself that night.
Tuesday, May 4, Yacht Rock played a private party at Peachtree Tavern. I redeemed myself. Everything went well. Ganesh Giri Jaya subbed for Nick. We were all very smooth. Pete, Dannells, and Cobb helped me load out. Dannells said something like "We don't want to leave you here!"
Wednesday, May 5, I played a trio gig with Louis Heriveaux (keyboard) and Kevin Smith (bass). Kevin showed up really late--five minutes before the doors were to open (instead of the hour before like I'd asked). I can't believe that he continues to screw up this much. Pretty soon I will be at the point where I can't use him anymore and it won't be because of his playing--it'll be because he can't get his ass out the door at the right time. I don't think he realizes that when the client is standing there asking me if we're ready to go, he's making me look really bad.
Anyway, mp3s will follow in a forthcoming blog post. I have yet to edit them.
Thursday, May 6 was the return of Yacht Rock to the 10 High. We had a terrific crowd which inspired me. I played a couple of really good solos, probably because I got a chance to play that afternoon. It really makes a difference! Kevin Spencer subbed for Nick and Ganesh subbed for Cobb. This was one of the best gigs I've ever heard Ganesh play. He was on all night. davidfreemanmusic.net
Yacht Rock played the Atlanta Steeplechase (which was located in Rome, GA!). I woke up super early (for me) and drove down I-75 into town to meet up with the rest of the band. We drove back up I-75 to Rome to play the gig.
The event was in a private tent at the Steeplechase event. Unfortunately, the weather was terrible--rain and lightning throughout the event. The band played well and the food was ok (BBQ sandwich with bottled BBQ sauce). We rumbled through, stopping for each of the races. Evidently horses don't like music.
First came the "release the hounds!", and then the race horses came through.
It is with great sadness that I must report that my aviators were retired today. The left lens has popped out a couple of times, and I think it's time that they be recycled. A sad day for Yacht Rock.
Afterwards, we loaded up (in the rain) and then spent an hour on a farm road inching our way back to the interstate. We rode down I-75 to the Piedmont Driving Club, where we loaded in and set up for an event that night. I had time, so when we finished setting up I drove back up I-75 to my house so I could get out of my wet shoes and socks. I rummaged through the fridge. I even had time to practice a little!
At 10 PM, I headed back down I-75, back to the Piedmont Driving Club for the gig. It was ok. We were obviously very tired at that point (we started around 11:30 PM), so we staggered through it. The gig ended at 1 AM. We loaded out and I headed back up I-75. 215 miles all together.
Good things are happening for me lately. I've been focusing on a few areas of my performance, and I think each is improving. First, I've been trying to get my time a little better on the keyboard stuff. I want everything to sit on the beat a little better. I am also guilty of rushing within the beat, so my goal there is to keep it all relaxed and smooth, right where Cobb's putting the time. Second, I've been thinking about my articulation on alto. That seems to have been corrected just by my being aware of it. My third goal has been to not tighten up on my tenor altissimo--chomping down on the mouthpiece has choked off some stuff, especially when I start overblowing, so I've been reminding myself to keep my mouth and throat open and let the air go through. Yesterday was the first time in a while where I didn't miss any high F#'s in Who Can it be Now?. My fourth area is in the chorus of Rosanna, where I've been only playing EWI on the horn part. I want to help the chorus to be bigger, so instead of only playing the horn part every few measures, I've kept the organ part going and then used the upper keyboard to supply the brass. I just started this week doing that, so it's still a little shaky. In another week or two I should be much more comfortable. davidfreemanmusic.net
Yacht Rock last night at the 10 High was a thin one. We couldn't have asked for better weather (which lately has meant better crowds), but last night was slim picking. I was outside on the break, and there was nobody even walking on North Highland. The entire area was a ghost town.
We played pretty well, particularly in the first set. The second set descended into boredom, which for us means that we started twisting and pulling on the ends of songs, making them into strange concoctions of noise. It was a relief to finally get to the end of the set and be done with it.
All of my stuff worked well. My new laptop gave me no problems--it did exactly what I expected it to do. I did have a few moments of terror, though. Fifteen minutes before I left home, I set it all up to double check that it would work perfectly, and that's when I found out that my MIDI to USB convertor was not talking to the computer. AAHHHHHH! I downloaded a driver from MAudio's website and things were fine (though they didn't have the driver for my OS, but the most recent one they had seems to do the job). The only other hiccup I've had/am having is that Logic doesn't shut down all the way--I have to force quit it to get it to completely stop. My feeling is that the program is maybe five years old and the OS is brand new, and they're not totally in sync. I definitely need to upgrade Logic and get it happening. For now, I think it'll be fine.
Yacht Rock has a big day tomorrow--a gig in Rome, GA around noon and then a gig back in Atlanta later on that night. Lots of driving and lots of playing. There will be lots of sleeping on Sunday. davidfreemanmusic.net
Yesterday I bit the bullet and purchased a new laptop--a Macbook Pro. I put my old version of Logic on it and brought my "Yacht Rock" sounds into it, and it works. Success!
My plan is to upgrade Logic later this year to the most current version (with Mainstage). I am currently using Logic 7 (which predates Mainstage). What I'll do is get it all set up on my desktop, and then transfer it over once I'm satisfied that it will work on the gig.
Hopefully this means I can breathe easier for the next couple of years! This year has been a tense one for EWI playing! davidfreemanmusic.net
David Ellington (piano), Kevin Smith (bass) and I played a trio for the Robotics convention last night. It was a very easy hit.
After a string of gigs with really poor saxophone playing (both at my own things and Yacht Rock gigs), I think I was better on this one. My articulation had gotten very heavy, and it made everything I played sound laborious and slightly out of sync. Maybe I got lucky, but I tried to be lighter with my tonguing, and that seemed to make it all flow better. I hope it will translate to my alto playing, which has been the main offender.
We had an Elton John impersonator play two songs in our set. He was outstanding. Unfortunately, none of the robo-dorks was around to see him. He played for us and his handlers!
This recording is definitely better than the past. I found a group of presets in Waveburner that really works well. Further evidence that I don't know what I'm doing. There's some weird distortion that doesn't turn up in the program. Somewhere in converting it to mp3s it's making a mess. Ahh, technology. Dig it:
Last night the Yacht Rock Revue kicked off a summer concert series at the Park Tavern. My laptop felt like this would be a great time to freak out and not work. I spent an hour and forty-five minutes opening and shutting it, turning it on and off, and popping the battery out and holding down the power button, and praying to Steve Jobs. Eventually I gave up and started lining up sounds with the thought that I would MIDI into my top keyboard (Korg Triton). I even borrowed Nick's laptop (with a newer version of Logic) to try and see if I could work with that.
No luck. I'd given up on it, and as I was packing it up and bitching to another musician, I turned my laptop on one more time and it worked perfectly. I set it up with the EWI and played the gig with no problems.
