Tacky Christmas Party

Yacht Rock spent Saturday night at the Buckhead Theatre for the Tacky Christmas Party--a benefit for Toys for Tots.

This event was not well attended.  I believe the ticket prices were pretty steep (I heard $75), and we were advertised as Please Pleaserock Me instead of Yacht Rock.  I wonder if we'd been booked as the latter if they crowd would have been stronger.  I think there were only a couple of hundred people there.  It looked pretty empty.

No problems, though.  We played right through it.  There were some great moments (Cobb's drum fill in With a Little Help from my Friends) and some keyboard issues (I switched keyboard patches while playing the drum pads on my Fantom, and the first keyboard note I hit sounded like a police siren!  Holy shit!).

I played a really good solo on Dick in a Box.  I hope somebody got video of it!  I don't know why--just a combination of luck and being able to hear myself well.  I could have kept going--everything I was playing worked great.  Wish I'd played that well the week before!

davidfreemanmusic.net

Rave Against the (YRR) Machine

Yacht Rock played a marathon of a gig last night--4 sets!

The party was at Ventanas…never a good place for a band this size.  Loading in is difficult (to say the least) and the room is acoustically difficult--all glass and concrete.

The most difficult part of this gig, however, was the music in between the sets.  The client played their iPods during the breaks, and it was all euro disco kinda stuff.  I don't even know the genre.  It was what I imagine a rave sounds like, except this was a corporate holiday party.  They loved that stuff, too, which made me wonder why we were there.  I guess they liked us too, but it was really tough to come back from spin-class music and do our thing.

I had a good night playing--better than last night.  My hands felt quick.  Dannells and I did really well on Still the One (me playing the second guitar).  I'm still reading my chart (the concert pitch to alto thing kills me).

We finished at 1 AM.  In bed at 3!
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Sax Heavy

Thursday means Yacht Rock at the 10 High!  This gig was pretty good.  We played pretty well and the crowd was more responsive than they've been in the past few weeks.

The set list was pretty sax heavy, especially compared to what we did all fall.  On some of those gigs, I probably picked up a horn once or twice a set, and the rest was keyboards.  Last night, seven of the thirteen songs in the first set had saxophone (only two of ten in the second set).  It was fun, though I I was back to playing some dumb stuff on a couple of songs, and I tried to play Your Momma Don't Dance a fourth away again (like I was playing bari…opposite problem from last week when I WAS playing bari!).

Towards the end of the night, my brain gave out or something.  I played like I was drunk, but I hadn't been drinking.  Some boneheaded mistakes…

We've got a busy couple of days…the last big gig weekend of the year!

davidfreemanmusic.net

Salsa!

I had a fun little salsa gig with Salpicon last night at Kat's Cafe in midtown.  I hadn't done a Latin gig in years;  it was fun to try and keep up with it again.

The circumstances of the gig were a bit insane.  I got called for the gig just before noon Monday.  I went and hung out at a rehearsal Monday night--didn't play hardly anything because there weren't any charts.  I went home, and in the next twenty-four hours charted out ten tunes.  (Along with sleeping and doing a Yacht Rock rehearsal).  Then, boom!  There we are on the gig.  I think it went pretty well.  I played flute as well as saxophone.

In other news, here are two clips from last week's Yacht Rock Holiday Special.





And you can hear me in the mix!  Yay!

davidfreemanmusic.net

Church Stuff

I made it to both my church gigs yesterday…

Church gig number one had a different drummer again.  I'm not sure if the usual guy has not been available, or if the church is shopping for a new guy.  This week's guy was pretty good.

We had Tommy Dodd, steel guitarist extraordinaire, once again.  It didn't appear to be a special occasion…I'm guessing they'll bring him in whenever they feel like it.  Evidently the budget can handle it.

Other than that, it was pretty ho-hum.  We had a piece with a children's choir and a couple of pieces with an adult choir.  Not much for me to do.

Last week was the big holiday show.  I was not invited to participate.  The rest of the band wanted to know where I was.  I said, "At home."  They said, "Your name was in the program."

Church gig number two was ok.  I was informed that the ushers complained of multiple instances during the past few weeks of distortion when the band was playing.  Maybe that was happening when I wasn't there, but we've never had distortion when I was running the board.  Once the band got up and running, and walked to the back of the church.  One of the ushers was there.  I said, "Is it distorting?"  "No."  "Right.  So go to hell."

davidfreemanmusic.net

House Live

I would have thought that this Saturday (December 10) would be a big date on the calendar--one of those Saturdays when everybody in the world would be working and I would get a couple of calls.  Maybe I'm so up to my eyebrows with Yacht Rock stuff that people assume I'm unavailable;  I don't know…maybe there just aren't that many gigs to go around right now.  Anyway, I had this prime date on my calendar wide open, and I was fortunate to pick up a House Live gig (sax/flute, percussionist, DJ playing house music).

It was a long gig--5 hours--but the money was good, and it was coming at a good time.  Not only did I want to work, but these sort of gigs are a good chance for me to play a lot of sax and flute.  I get to practice, more or less the whole night, because the gig is so open--I can take an idea or a pattern or an interval and play it over and over;  put in on different parts of the beat;  flip it around.

Last night was a good exercise for the first three hours…the problem was that the gig went for five!  It got even more difficult when the DJ stuff changed from house music to pop music--what am I supposed to play over PYT, Don't Stop Believin', Let's Groove Tonight, or You Give Love a Bad Name?

Just when I thought we were done, they extended the gig a half hour.  I limped through that.  Eighteen drunk people on the dance floor held us hostage.  At 12:30, the lights came on and I started packing up.  They extended the gig ANOTHER half hour.  It was brutal.  My bottom lip felt like hamburger.

By 1 AM, we were a wreck.  They were drunk, we were tired.  People were auditioning for the percussion part.  The client was WASTED…she was talking to the DJ and the percussionist at one point, and she said, "I like that long thing with the ridges that you pull the stick across…hey look he's got a cowbell…have you ever seen that SNL skit with the cowbell?"  Ugh.

davidfreemanmusic.net

The Holiday Show

We did it!  The Third Annual Yacht Rock Holiday Special was a huge success!

This year we did it at the Buckhead Theatre.  It's really nice!  Much better than the Roxy was.  I liked the stage size, and the sound seemed good to me (at least where I was, though Greg mentioned that the slap off the wall was really bugging him).  All my stuff went well--no problems.  The different alto mouthpiece worked much better, and my sax solos in general were better than usual.  I think my biggest problem (other than showing up an hour late for load in) was that I kept trying to play Your Momma Don't Dance in F instead of C…played it too many times on tenor and not enough on bari!

Yay for us and congratulations to Pleaserock (Nick, Pete, Esther, and Kristen) for once again organizing an awesome event!

davidfreemanmusic.net

Christmas Show Dress Rehearsal

Yacht Rock played our 10 High gig last night--it happened to be the big dress rehearsal for the Big Christmas Show We're Not Quite Ready to Play.  Traditionally, we've kind of sucked real bad at the 10 High the night before a big show, and then we play the big show and nail it.  Last night was kind of…fine?  No disasters…I for one am just not comfortable with the everything yet.  I kind of know my stuff, but it feels like I need another week or two to digest it--my brain's not there yet.  Like, I can't spot anything on the set list that scares me (except for hearing my voice on We Are the World--I can't wait for that to be over), but I don't feel like I know what I'm doing.  The past month has been such a blur that this show feels like something else to get through.

So…my alto was wildly out of tune.  I don't know if it's a good idea or not, but I'm going back to an older mouthpiece (a Chinese copy of a Guardala).  It's more comfortable.  I feel like I've been fighting the ARB for a while, and the pitch thing is driving me crazy…left hand is flat, right hand is sharp.  I think I probably just need to aim my pitch better, but I recorded a few things last night and I sound BAAAAAD…like so bad that I'm not posting them here!  You know that's bad, since I love to share my latest failures.

My tenor had a great reed--it's a great reed that's still new, so it has a little resistance that you can blow through and then the sound is there.  I love it.  Too bad my tenor solos were both so damn vanilla…no horrible wrong notes, just boring boring boring boring boring.  Felt great, played bleah.

Tonight will be better…or else!

If you're looking for something to do, the Third Annual Yacht Rock Holiday Special is tonight at 9 PM at the Buckhead Theatre.  It only happens once a year…

davidfreemanmusic.net

Too Much Too Early

I think it's a sign of how busy things are that I have to look at my blog to see the last time I checked in.

Thursday night, I got home around 2:30 AM.  I got up at 8 to play a Yacht Rock rehearsal for the upcoming show (this coming Friday at the Buckhead Theatre).  It was a little rough.  Nick had (I think) fifteen songs that we were learning or reviewing.  I had charts for stuff, but I hadn't played any of it (except for the review tunes, which I hadn't played in six months--since Christmas in July).  We hacked through stuff until we ran out of time.  It wasn't terrible, but I didn't feel adequately prepared.

Friday afternoon was spent catching up on things at home--laundry, cleaning, bills, computer stuff.  I got in a little practice on the YR stuff.

Saturday morning, Yacht Rock was up early to drive to Greensboro, NC to play a corporate party.  That took all day.  It was a relatively painless gig, though the crowd obviously didn't quite get what we were doing--multiple requests for Brick House.  One lady yanked on my suit jacket while I was playing to make a request.  Not cool!

Sunday, we got up early and drove home.  When I got home, I ate, put my stuff away, and it was just about time to go to my evening church gig.  That went fine.

Monday morning we were up early to play on CBS Better Mornings.  No big deal--I don't think we even bothered to take pictures in front of the weather or anything.

The gig itself was a little rocky.  There were some wrong notes floated over the airwaves!  After the morning show, we had a rehearsal at the studio.  Once again, it was pretty rough--I didn't feel like I was prepared, and I wasn't sure what songs we were working on.  I had charts and I thoughts about how I wanted to play things, but I hadn't actually practiced stuff for the rehearsal.  Not good!

I got home, exercised, picked up my repaired horns from Lopes, did laundry, vacuumed the house, bought a Christmas tree...

It is now Tuesday morning…woke up in my clothes.  Time to go to another rehearsal.  Guess what…I'm not sure what we're playing, and I'm not really prepared.  There's just too much going on.

davidfreemanmusic.net

Thursday 5 and 7

Yacht Rock played a weird, pieced together gig last night at the 10 High.  Nick, Pete, and Cobb were off somewhere else playing a non-Yacht Rock gig, so we had Ganesh and Kevin Spencer up front and Daniel Morrison in the back.  Ganesh and Kevin were off somewhere else playing a non-Yacht Rock gig until 10:30, so the other five of us (Bencuya, Greg, Daniel, Dannells, and myself) played about half of the first set without them.  No big deal, but it was strange, mostly I think because there wasn't the usual volume coming out of the center and right monitors.

Once we got going…it never really got going.  The crowd was indifferent and we were indifferent.  Dannells played his ass off, though, and I enjoyed playing a few tunes (Kiss You All Over and Lonely Boy) we never touch with Nick and Pete  up front.

davidfreemanmusic.net

More Recording

Yacht Rock spent two days in Athens at David Barbe's studio, recording two of our original songs.  I'd never done any kind of recording where I sat through the creation of all the parts before. For me, it involved a couple of days of sitting in the control room and about thirty minutes of playing.  Normally when I get hired to play on a session, I walk in and the song is waiting on me.

I played flute on one song and sax on the other.  Neither solo was really worth a damn.  As much as I wanted to summon something really awesome--something spellbinding and hip, I just couldn't do it.  We ended up with some pretty safe/average stuff.  I don't know if it was because I'd just been sitting there too long or what, but I had no magic.  The rest of the song sounds good, though!

I got home Wednesday night/Thursday morning at 1 AM.   I was up at 8, headed across town to a studio in Snellville for a 10 AM session.  This one was more of the usual thing--the guy asked me to add some "80s tenor" to a couple of songs he's producing for a chick singer.  It went quickly.  For some reason I was more comfortable on this stuff--I felt a little better about it.

davidfreemanmusic.net