Final Four

Yacht Rock had a pretty nice weekend of Final Four gigs lined up.  One good, one not so good.


Our Friday night gig was for coaches and athletic directors--lotta dudes.  Bonnie Bernstein was there interviewing people.  The gig was easy--two sets--and everybody there was really cool.  It was at Puritan Mill (great looking room) with Rick and Mark running sound (sounded good).  I think everybody in the band was in the mood to play, too, so the gig was really good and enjoyable, and I was home around midnight.  Yes!





Saturday was a mega gig--we were the opener for the big concert in Centennial Olympic Park.  Huge stage--the kind you see on the Palladia channel.  Biggest stage I've ever been on.  The big time!  It was us, then Macklemore and Ryan Lewis, then Ludacris, then Flo Rida, then Muse.  The crew loaded our gear from the trailer all the way to the stage.  Nice.  I went and set my coffee free in our dressing room trailer.

When we got there, they were sound checking bands in reverse order, so we waited and waited.  Finally we went and changed, and they were still trying to get the soundcheck for the other bands happening.  They let us setting up during the other guys' soundcheck.  Time was running out, and they hadn't dealt with our soundcheck or anything.


The gate across the park opened, and thousands and thousands of people came running at the stage.  It looked kind of like the Japanese tsunami videos.  Looks like we would do an awkward line check in front of twenty thousand people.


Once they finally started plugging our stuff in, things switched into overdrive, with the band and the monitor guy yelling and multiple instruments playing at the same time.  We never checked my keyboards or my saxophone (I found out later that I was completely inaudible on stage--which was maybe for the best).

And we're off!  There were lots of sound problems:  lots of feedback, insane monitor levels, microphones falling over, all kinds of trouble--a stagehand came over to Bencuya and wanted to unplug his keyboards mid-song because his levels were too hot.  When we got to L.A. Lindsay, there was no saxophone (and I knew there wouldn't be), so I had to play into Monkey's vocal microphone, which was blisteringly loud--just painful.  When the monitor guy caught on, he cranked that mic up in the side fills to the point where I could feel my ears buzzing--definite ear damage.  It hurt like somebody was jamming a screwdriver into my ear.  I made it through about four songs before I was completely miserable and watching the clock.  This gig couldn't have ended soon enough.




The sound was really tough and I played really poorly on top of that, in front of all those people.  What should have been one of our great triumphs turned into a soul crushing experience.  On the other hand, I heard that after the first few songs, the sound out into the park was good, so I guess it was only a mess on stage.

Lot of people out there.


Easter

It's been a while…

After finishing the AM church gig revival, I've done very little.  Easter weekend is not a good weekend for gigs (unless you've got an awesome Easter morning gig lined up), so I've been working in the yard and sleeping and watching YouTube videos.  I've also been working on horn arrangements for a funky New Orleans/Little Feat studio project.  Also, I fixed my EWI antennae.


Speaking of Easter gigs, my AM church gig did not want me there Sunday morning, so I slept in.  My PM church gig DID happen.  My mix was pretty bad, partly because the pick up on the piano has a short in it--it finally kicked on about two thirds of the way through the service, so we suddenly had lots of volume.  Beyond that, I haven't much to say.

This coming weekend, I return to a more normal playing schedule--two shows related to the Final Four stuff, including a big show in Centennial Olympic Park on Saturday.  Woohoo!

April 6, Centennial Olympic Park (Atlanta)
April 12, Glass Cactus (Grapevine, TX)
April 19, Summerour in the City (Atlanta)
April 20, Park Tavern (Atlanta)
April 26, Variety Playhouse (Atlanta)
May 3, Georgia Theatre (Athens)
May 4, Revival! Cannery Ballroom (Nashville)
May 17, Braves game (Atlanta)
May 24, Radio Radio (Indianapolis)
May 31, Park Tavern (Atlanta)
June 8, City of Woodstock Concert Series (Woodstock, GA)
June 14, Friday LIVE! (Charlotte, NC)
June 28, Park Tavern (Atlanta)
July 8, Stockton Goes to the Beach (Cape May, NJ)
July 11, Mohegan Sun (Montville, CT)
July 12, (Baltimore, MD)
July 13, (Philadelphia, PA)
July 20, Revival! Chastain Amphitheater (Atlanta)
August 23, Park Tavern (Atlanta)
September 27, Park Tavern (Atlanta)
October 19, Variety Playhouse (Atlanta)
December 14, Variety Playhouse (Atlanta)

The Folding Chair


Last night of the big revival…

I heard a few giggles about me and a chair from the night before.  The soloist for the revival used tracks Monday night for part of the performance.  When the first track began, I thought to walk off stage, but nobody else in the band moved, so I just stood there, clarinet in hand, staring at my shoes.  I thought, "One song and then I can go."  That song ended and I started to walk, and then a second tune began.  Agh!  Stuck for two songs of shoe gazing!  Halfway through the second song, someone came up behind me and tapped me on the shoulder:  the pastor brought me a folding chair.  The second song ended and I looked for a sign that we'd all be leaving, but a third song began.  At least I had a place to sit for that one.

So…evidently I looked kind of uncomfortable.  It even came up in the sermon that the chair offered to me was an act of compassion.  Jeez.

Our last night was similar to Sunday night:  choir, full band, horn section.  Actually, we played with no trombone--I'm not sure what happened there--so it was just Paul Poovey and me.  That was fun--we play well together.  Some of the other things were very "seat of the pants"--songs that were called out after they'd already begun--but we played along just fine, I thought, doing our best to keep up with the music director and soloists.

Onward to Easter!

Revival Day 2

Day 2 of the AM church gig's revival was a different combination--no horn section and no choir, but a mandolinist and banjoist were added in.  Things kind of leaned more in a country direction and I had no idea what instrument to choose;  I ended up playing lots of clarinet.  Hopefully Matt turned my microphone off.

We only played a couple of songs.  The guest soloist sang three songs with tracks, so everyone was spared more of my bullshit.

One more night!  The horns are back, so I'll be playing saxophone, much to everyone's relief.

Double Duty

I had no Saturday night gig, which was a bummer.

Sunday morning I was back at the ol' AM church gig.  Nothing too exciting…just filling in the holes around the vocals.

Instead of heading to my PM church gig in the evening, I instead went back to the AM church gig for the first night of their revival.  Sunday night was a big production:  choir, usual band (church organ, piano, drums, bass, acoustic guitar, me), horn section (Paul Garret on trumpet and Gil Estes on trombone), B3 organ, and two vocal soloists.  Loudness!  Lots of organ was available at my spot on stage.  Wow.  Good thing our ace sound engineer Matt Sheren put a very nice AKG 414 in front of me.    I want one.


Party Time

Yacht Rock played a crazy country club party last night.  It's the inter-club mixer between several high dollar Atlanta clubs.  Uber-expensive cougars and the men who pay for them.




The usual stuff for us, which was good because we were all brain dead from Thursday's all-nighter (more about that later).  While we were eating, a party organizer came in with a contract saying he thought we would be playing 8:30-12:30 (instead of 9-12), and Nick gave him the "these are not the droids you are looking for."  We played 9-12.

Adam J filled in for Pete.  I wish I could think of more to say, but nothing's coming to me.


Helen and the Devil


Yacht Rock managed to scoop up a last minute gig in Helen, Georgia, so we never even took our gear out of the trailer when we got back to Atlanta Monday night.  Tuesday afternoon we off again.

I'd never been to Helen.  It looks like a little Octoberfest German town, which matches the only reason most Atlantans ever go up there.

The room was small, but the crowd was smaller--around twenty people!  Our smallest crowd ever.

Bencuya couldn't make it, so Eric Frampton subbed for him.  It was quite a beating/lesson for me.  I had to play a couple of Bencuya parts, and I did OK, but I'm still miles and miles and miles from providing the kind of playing that the rest of the band is used to hearing.  Ugh.  I played some wrong chords in Reminiscing.  Hey Nineteen went pretty well (I think I only played one bad chord), but I have no chops for soloing.  I began Doctor, My Eyes wrong, but once we got going, I did fine.  Somebody's Baby was alright, but the organ part is pretty similar to the piano part.

Frampton, on the other hand, tore it up.  I feel very small.  Present David Freeman needs to go back in time and tell Past David Freeman that piano lessons will be necessary!

This is post 666.