Thursday Night!

Yacht Rock played the 10 High last night.  How many weeks in a row now?  A whole lot.

I added/adjusted some of my parts this week, so I was looking forward to trying it all out.  First up:  Steal Away.  I had been playing it like this:

but I was talking Dustin Cottrell (one of the keyboardists in the Schooner) about the piano part, and he thought it sounded more like this:

After listening to it about a half dozen times, I started to hear what he was saying--there's so much stuff in the same register (strings, rhodes), I wasn't sure what I was hearing, but I think he's right.  Plus, when I reach up to add the synth on the chorus, I can reach up with my right hand (it's easier for me to play it right handed than left).  Brilliant!  So yay, another part closer to being right.

Another thing I was working on was that sax thing in Reminiscing ("Glenn Miller's band…").  I played it at soundcheck and it sounded the way I wanted it to.  Dannells gave it his seal of approval.  I have my sax turned down on stage, so I didn't hear it within the context of the song, but I bet it sounded pretty good!  My solo was ok.  I did something dumb to the string part, but it didn't clash harmonically (played the second half in place of the first).

Next up was another Dustin-aided adventure:  Biggest Part of Me.  Dustin showed me some of the extra chords that happen on the verse that I've never played.  Pretty cool.  It took me some time to get it happening in the context of the gig--I think because I can't quite think of the name of the chord as it's going by, so I'm thinking more about where my fingers go (and I'm kind of mesmerized by it!  I don't know why).  Cool.  I like having that part in there--gives my part some movement in the back half of the measure.

Old:

New:

Somewhere in the middle of the song, I felt something wet hit my chest/belly, and realized that I was drooling!  I was so focused on adding those extra chords, I had forgotten to close my mouth.  I took a quick glance at the band and a quick glance at the crowd, and it appeared that I got away with it.  Let's see Scott Sheriff do that!

Speaking of Biggest Part of Me…here's the sax stuff (and the piano and synth stuff I was doing, too).  When I played, I didn't feel good about the sax stuff at all, but listening back, it's not too bad (except for that one spot where my fingers got a little tangled up).  I mean, I'm not trying to string together ideas like it's a jazz solo as much as I'm trying to ride the wave of the band--keep the momentum surging.  Ganesh was really making some noise at the end!  Very cool.  I dig that for that part of the song.  I wish I could hear more organ when I'm playing to provide more of a foundation.  The guitar's not doing much to fill it up.

My apologies for the wrong chords backing the organ solo.  Oops.

 Biggest Part of Me by David B Freeman

Next up was Reelin' in the Years.  Here's what that sounded like from my spot.

 Reelin' in the Years by David B Freeman

Second set:

After opening with What a Fool Believes, we played Baby Come Back.  This might be my favorite song to play right now.  There's a lot going on.  I play strings, then acoustic piano on the verses, strings and clav on the choruses, and the synth and clav on the bridge.  I didn't do a good job of tapering the volume on the big synth bend up in the bridge, but other than that, I did well.

The last of my little mini-projects was on Somebody's Baby.  I had been playing this on the verse:

But I was watching a YouTube video of how to play Somebody's Baby (is that legal?), and he did this:

I like that better.  Again, it's just some movement for me within the chord.  I dig that.

The only other thing for the night was trying to add the little synth with delay thing that happens late in Lowdown.  I set the synth at the far left end of my keyboard.  It's tough to reach over with my left hand and play it while playing flute with my left hand (and I have to stay on the microphone).  Gotta figure that out.

After we finished, a DJ took over and segued into rap.  He was playing Regulate at one point and then went into I Keep Forgettin'.  I love that song.  I heard some stuff I'm not playing in the rhodes part.  Something to work on for the next time that song comes around!

All in all, it was a really fun night!  We played well and enjoyed each other.  More like this!

davidfreemanmusic.net

One for Grady

Yacht Rock played at the Grady Rock and Ride Festival on Saturday in downtown Atlanta.  They closed Peachtree (first time EVER!) and set up a stage in between Westin Peachtree Plaza and the Ritz.  It was one of those semi trailers that unfolds into a concert stage.

back of stage

backstage

The weather was good.  Actually, there was a nice breeze coming through that kept everything very comfortable, and we were in the shade because of the stage and the surrounding buildings.  If we've got to play outdoors in the summer in Atlanta, let it be like this!

So…one hour set.  No big deal.  For this one, Dannells and I swapped spots, so instead of me being on the far outside, I was tucked in between him and Mark Cobb.  I thought I was going to hate it (crammed in between an 18 inch crash and a guitar amp), but in the end I think I liked it.  I felt more "in the band" and less like I was "playing alongside the band," and the volume wasn't nearly as bad as I thought it would be.

I think I need to work some more on my effects pedal.  For Reminiscing, I had programmed harmonies to mimic the sax section thing that happens ("Glenn Miller's band was better than before"), and I tried it and it sounded pretty good to me, but when we played the song everybody on the front line laughed at me.  Pete said it sounded like I was under water.  Hmm.  Not what I intended.  No feedback, though, so I think the gate's in the right spot.

We finished at 6:30.  Nice!

Sunday's church gig number one was cancelled.  At least, that's what we were told last week.  Then again, the leader said there'd be an email with the cancellations on it, but I never saw one.  Big surprise.  I slept in.

Church gig number two was moved to a different room due to the death of the cathedral's air conditioner.  We played in the parish hall--kind of a fire drill for a set up.  I guess it sounded ok.  I am a mediocre soundman at best, and that room sounds horrible, and I was unfamiliar with the equipment.  Perhaps not my best work.

Light week this week…

davidfreemanmusic.net

Marietta Square

Yacht Rock played a good gig last night on the Square in Marietta.  The weather got a little wild--right after we loaded in, a bad thunderstorm came through and we had everything under tarps.  It cleared off enough for us to play, but eventually the rain returned (with lightning!) and we had to bail on the last half hour.

the wind in his hair

The place was packed!  Very cool, and a decent number of people from my neighborhood showed up.  If the weather had been better, it might have been even better.  We have a gig coming up at the Strand Theatre in November, and I bet that will be packed because of it.

The sound on stage was super loud.  There were a limited number of monitor mixes, and I ended up with more vocals than I would ever want to hear bludgeoning my head.  Adding to the volume were main speakers right up next to us.  Ouch!  The sound out front was good (according to reports from the locals), and all of my stuff was in there.  Cool.

I'm still trying to get my effects pedal dialed in.  I have faith in it, but I can't replicate the conditions of a gig by myself.  I need to tweak it some more so that it works within the context of a gig.

davidfreemanmusic.net

Another 10 High

Yacht Rock played the 10 High last night.  I wasn't in the mood AT ALL.

davidfreemanmusic.net

Better (Excruciatingly Early) Mornings

Yacht Rock played on the local CBS morning show "Better Mornings Atlanta."  We had to be there at 3 AM.  That part was not too hard…I'm used to staying up late.  The fact that I had to stay awake until 7:30 AM or so…not so fun.

We loaded into the TV studio at 3 AM.  Set up, soundchecked, changed.  We played a few bumpers (as the show was going to commercials) and a couple of camera shots.

If you care, you can see the videos here:

5 AM segment

6 AM segment

Web Extra

Most of my stuff is inaudible.  You should be hearing piano on the first segment (on the chorus you can hear a little bit of the synth, so I know the line works).  The second segment is a little better--you can kind of hear me because the guitar and piano parts are kind of sparse.  The Web Extra segment is about like the first (I'm not there)--I love the part where there's the big synth solo and you can't hear anything. And you still can't.  And then Bencuya adds his layer on top and it's really loud.

Screwed by another shitty mix.  Staying up also shot Wednesday to hell.  Yippee.

davidfreemanmusic.net

Quartet Gig!

Wow!  Last night was a cool little trio gig.  Tonight was a terrific quartet gig.  Super fun!  We (Tyrone Jackson, keyboard;  Kevin Smith, bass;  Marlon Patton, drums) were in the bottom of the Hub at the World of Coke.  I guess it was the acoustics of where were positioned, but we were able to play with all the energy that could be brought, and nobody was offended.  I was surprised--we were really pushing, and yet everybody was cool with it.  It made for a wonderful evening.  Wish I had more of these!

The band was very generous in interpreting my tunes and putting up with my strange harmonic sense and bizarre phrasing.  I am EXTREMELY fortunate to get these guys.  Who could ask for anything more!

Check out the audio (I promise it's worth it!):



davidfreemanmusic.net

Trio Gig

I played a really good trio gig with Tyrone Jackson (piano) and Kevin Smith (bass) tonight.  A little one hour reception.  We have a quartet gig tomorrow night (adding Marlon Patton on drums), so this was a good little tune up.

The audio!



P.S. If you'd like to check out my YouTube videos of last week's trio gig, you can find them HERE.

davidfreemanmusic.net