new/old music

After my last blog detailing the looming keyboard work on Starbuck's Moonlight Feels Right, it turned out to a pretty easy task. I had it under control in about an hour. Impressive, considering the performer! We'll see if I'm still saying that come Friday morning--about half of Starbuck is sitting in with Yacht Rock Thursday night to perform that song. The pressure's on!

I added some new music to my website on the page titled "Custom Woodwind Tracks." I have decided to involve myself in a newer trend in recording; people email a song back and forth, and individuals record their parts in their own studios. At the very least, I want to have the capacity to do this.

I recorded an album, titled Loop City, in 2007. The concept was to write and perform songs based on loops. You can check it out here. I've posted it it to this page as an example of my writing, recording, and performing capabilities.

www.davidfreemanmusic.com

Saturday/Sunday

I made it through the big gig week of December with a Platnumb gig Saturday night. It was a debutante/charity ball in Gainesville. I can't say whether it was for the debutantes or charity. What struck me most was how the mothers of the debutantes took such great pains to try and hang with the teens. It was very uncomfortable from my perspective--moms trying to be one of their daughter's friends and rock out to the band and get crazy. Very forced. I was kind of embarrassed for them.

The heir to the saxophone spot in Platnumb has been named. It's a very strange situation--I have been asked to sub the gig to the same guy (as much as possible) so that when I leave the band, it's a smooth transition. I didn't know I was leaving the band.

Sunday night was my usual church gig. Nothing to report from that.

My big mission this week is to get my synth stuff ready for the Starbuck hit Moonlight Feels Right. We're playing it this Friday at the Variety Playhouse show (and at gigs from there on). Bencuya and I spoke about how to best reorganize the necessary keyboard parts so the two of us could cover it. We left it as a future mission, but when the song turned up on the setlist last week, his statement to the band was "We're skipping it because Dave doesn't have his parts together." Ouch! It sounds like I need to get movin'. We talked about it again yesterday, and it doesn't sound like there will be a reorganizing of parts--basically, I need to check and see what Brandon played, and do that!

Yacht Rock Thursday (10 High) and Friday (Variety Playhouse) this week.

www.davidfreemanmusic.com

Rosanna Knoblauch

Two nights of Yacht Rock, and two times I have screwed up the Rosanna synth solo (my handwritten chart is pictured). I figured it out (too late) after the gig last night. We have also been playing our version of Christmas Vacation (done in the style of Rosanna), and I play a similar decending line for the synth solo, and now I can't get it out of my head when I'm trying to play the original solo. I've developed Chuck Knoblauch syndrome over it.

Thursday evening I also did a trio gig with David Ellington (piano), and Delbert Felix (bass) in Neiman Marcus at Lenox Square Mall. It went pretty well. I guess it was some sort of high end shopping spree. We didn't see much foot traffic, but the three of us had fun. Here are the mp3s for your listening pleasure:

Thursday night's Yacht Rock gig at the 10 High was sparsely attended. My old friend Mike Andriola showed up with a crew of people. There was also a girl right in the front who was super duper drunk, and I think the band watched her every move through the second set--she was like a time bomb about to explode on the monitor. So drunk, she couldn't even keep her eyes open.

Friday night was a private party for a law firm downtown. We were on the 50th floor of the Deloitte Building (191 Peachtree)...lots of cool views from that height. Our gig was in the executive dining room. Hardwood floors, windows, and sheetrock. We got loud. I played my solos on the dance floor out in front of the band, and that was kind of fun. On my solo on Biggest Part of Me, people on the dance floor actually moved away from me. It could've been the volume, or the blistering number of notes. It's kind of funny in a way.

An asian lady came up to me in the middle of a set and asked if we played anything with more soul. I said no. She said, what about the black people here? (nice stereotyping!). I said, black people like this stuff too. She was not swayed by my argument, so I laid my best line on her: I'm just the sax player. In other words, f*** off!

This is unrelated to my Rosanna issues, but here's a weird EWI thing: last week when it froze up, I just started pushing buttons to try and figure out what was wrong. On the EWI, you can select how you want the thing to react to breath pressure--it can translate into volume, velocity, aftertouch, and some other stuff. When I had messed it up, I had set so that it was all or nothing--either it was as loud as it would go or off. I thought I'd fixed it, but I noticed last night that when I would blow, the faders on my computer program would move up and down. It didn't do that before, so I tried something else. The something else would register that it was sending signal to the computer, but no sound. Later it dawned on me that since I had changed it so the faders would move up and down, those sounds now had the faders in the all the way down position--so basically I need to reset my levels now. Ahh, technology!

The good news tonight is that I'm playing a Platnumb gig. The bad news is that it's 9 PM to 1 AM, in Gainesville, so I'll be home at 3 AM again. Boo.

www.davidfreemanmusic.com

Delbert Frickin' Felix!

Last night I played a quartet gig with Louis Heriveaux (piano), Delbert Felix (bass), and Marlon Patton (drums). It was one of the best jazz gigs I've played in a while. The band was so good!

Louis is awesome, and I'd never played a gig with Marlon--he was everything I'd heard about. The big story was Delbert Felix, of whom I've known for years. Delbert was in Branford Marsalis' band for a several years in the late 80s/early 90s. I pretty much wore out the two Branford records he's on: Random Abstract and Trio Jeepy (which I had on cassette, and could probably sing the whole record!). I'd met up with him a few years ago at a jam session where he said he liked my playing alot. We played Triste that night. It was a highlight of my professional life.

It's a great thrill to call Delbert for a gig and have him accept. I mean, IT'S DELBERT FRICKIN' FELIX!

Here are the mp3s:

www.davidfreemanmusic.com

Backun Bell

You may recall that about a month ago I uprgraded my clarinet with the addition of a Backun barrel. It is wonderful; it makes me love playing clarinet. Of course, Backun is also known for his bells. Often times you will see pictures of clarinetists with the Backun bell and barrel. So, I had to know: would a better bell make a difference? I mean, I can see that the barrel is next in line behind the mouthpiece, and that its location would have an effect on the tone, resistance, and tuning. The bell, however is way down there at end. Really? It'll matter?

The answer is yes. It's effect is more pronounced on longer notes (notes in the right hand), but overall the clarinet is much freer feeling without being strident. I'm very impressed! If you have the opportunity (and funding), these are definitely worth checking out!

www.davidfreemanmusic.com

Catching Up

Whoops. It's been a little while since I added to my blog.

So...

Friday was a Yacht Rock gig at the Westin in Dunwoody/Sandy Springs. It was a holiday party for an insurance company. Methinks they were a little stiff. Not very much into the party, and evidently very slow eaters. When our scheduled time ended, they suddenly wanted us to keep playing. Peter negotiated a price, but when he asked for the money up front, they balked. Instead they ended up renting our PA for another hour (while we tore down our instruments). Not bad. Drunk rich women still do nothing for me.

Saturday was a Yacht Rock party in a tent in Druid Hills (kind of near Fernbank). This one was a holiday party at a guy's killer house. Unfortunately, we were out in a tent in the backyard. The load in was up a treacherous flight of stairs, and the tent was fairly cold. In fact, it got so cold that my EWI froze up! It would only play one super high note. I brought it home and hooked it all together to see what was up, and as it returned to room temperature, all the notes started working again. Whew!

Sunday we spent most of the day in Peachtree City with my in-laws (it was my father-in-law's birthday party). From there I left to play my church gig in Buckhead, then went home and worked up four songs for a Monday morning Yacht Rock rehearsal. I got to bed after 5:30 AM.

Monday started before 10 AM, which means I am really tired. The rehearsal went well, and I taught, and now I'm done.

www.davidfreemanmusic.com

Thursday

So...just in case you were wondering, I'm still alive.

Not much to report since last week. Due to Thanksgiving, I was laying low (also I was gigless). Yacht Rock was back on last night. It was a pretty decent show. We've had some where the first set is solid, but the second set is sloppy. I thought yesterday's excursion was pretty even by comparison.

We started working on our Christmas songs last night. If you've heard our commercial, you know what I'm talking about. We tried both tunes (Mele Kalikimaka and Christmas Vacation), and it turns out the harmonies in Mele are gonna be tough to sing live! The other was rough in soundcheck, but pretty solid on the gig.

We also played Human Nature, and I covered Bielenberg's parts. I was pretty pleased with myself for figuring that tune out. Not that it's super difficult, but I don't have a very good ear, and I don't have much confidence in what I'm hearing. To top it off, I was playing keyboards on it (actually on both tunes), and it always takes me longer to get comfortable.

Saxophone-wise, things felt good. I didn't feel like my horns were hotter than usual, but I could definitely hear them better than before. The tenor reed I used last night was one of those once-every-ten-boxes kinds of reeds--free blowing, but it still has enough backbone to allow me to go all over the horn easily.

We're playing tonight in Dunwoody and tomorrow night in North Druid Hills. A three day cruise...

It's safe now, so I will officially mention that we are playing on the Rock Boat for the first week of January. Yacht Rock...playing on a boat.

www.davidfreemanmusic.com