Fear not, blog readers…I shall return! Last week was nightly gigs, and when it finally ended this Monday (yesterday, technically, though I am still awake), I had to chart out ten new tunes for a Tuesday morning rehearsal. The blog will continue soon! I need to sleep first!
davidfreemanmusic.net
Tuesday, April 5, 2011
Friday, April 1, 2011
Double Shot
Yacht Rock did two gigs yesterday. We had an early gig at the Apparel Mart and then our usual 10 High thing.
Oddly enough, I have never in my fifteen years of wandering around Atlanta played the Apparel Mart. Never been in there (though the ring on my finger came from there). It looks like a giant hotel lobby full of stores--this is accentuated by the fact that it has the same interior architecture as the Marriott downtown (or is it Hyatt?). Anyway, it looks pretty cool.
We were collectively a bit daunted by the acoustic possibilities. Would it be an mess of washy echoes? Surprisingly no. It felt really dead on stage. I guess because there was nothing for the sound to directly bounce off, it just kept going. After a couple of songs, we had ourselves balanced out pretty well.
The gig began with me in a Benadryl haze (the pollen is wearing me out right now). We played for an hour and a half (and it felt like it) to a curious crowd. After playing two saxes, two keyboards, EWI, flute, tambourine, and bongos, the only thing anybody wanted to say to me was "Is that your real hair?" to which I replied "Is yours real?" I think eventually I'll upgrade to "Are you pregnant?" I mean, yeah, it's a wig. What difference does it make?
We dragged through the next set (which only took about a half hour). At some point in there, I bit the dust on My Life--my hands just couldn't find the right notes. Lots of unappreciated laughter across the band stand. Should I be grateful that I was at least audible across the stage? Should I maybe shut up and just play it right?
When gig number one ended, we collectively hauled ass out of the Mart, down the elevators, loaded our cars, and boogied over to the 10 High, where we set up in a flash. That gig went better, and I was much cleaner on My Life. I played another really good solo on Lowdown.
For April Fool's, we came back from the break dressed in our street clothes, and opened with Pearl Jam's Even Flow. I tried to film it, but for some reason, my phone wouldn't comply. The rest of the set was regular Yacht Rock stuff, with us sounding really fried--I felt pretty good, personally, but we weren't really clicking. The band closed with The Who's Shaking All Over.
Time to shift gears! We're playing all Beatles tonight at Eddie's Attic.
davidfreemanmusic.net
Oddly enough, I have never in my fifteen years of wandering around Atlanta played the Apparel Mart. Never been in there (though the ring on my finger came from there). It looks like a giant hotel lobby full of stores--this is accentuated by the fact that it has the same interior architecture as the Marriott downtown (or is it Hyatt?). Anyway, it looks pretty cool.
We were collectively a bit daunted by the acoustic possibilities. Would it be an mess of washy echoes? Surprisingly no. It felt really dead on stage. I guess because there was nothing for the sound to directly bounce off, it just kept going. After a couple of songs, we had ourselves balanced out pretty well.
The gig began with me in a Benadryl haze (the pollen is wearing me out right now). We played for an hour and a half (and it felt like it) to a curious crowd. After playing two saxes, two keyboards, EWI, flute, tambourine, and bongos, the only thing anybody wanted to say to me was "Is that your real hair?" to which I replied "Is yours real?" I think eventually I'll upgrade to "Are you pregnant?" I mean, yeah, it's a wig. What difference does it make?
We dragged through the next set (which only took about a half hour). At some point in there, I bit the dust on My Life--my hands just couldn't find the right notes. Lots of unappreciated laughter across the band stand. Should I be grateful that I was at least audible across the stage? Should I maybe shut up and just play it right?
When gig number one ended, we collectively hauled ass out of the Mart, down the elevators, loaded our cars, and boogied over to the 10 High, where we set up in a flash. That gig went better, and I was much cleaner on My Life. I played another really good solo on Lowdown.
For April Fool's, we came back from the break dressed in our street clothes, and opened with Pearl Jam's Even Flow. I tried to film it, but for some reason, my phone wouldn't comply. The rest of the set was regular Yacht Rock stuff, with us sounding really fried--I felt pretty good, personally, but we weren't really clicking. The band closed with The Who's Shaking All Over.
Time to shift gears! We're playing all Beatles tonight at Eddie's Attic.
davidfreemanmusic.net
Thursday, March 31, 2011
80s in Athens
We were on a super tiny stage. From my spot, my back was against the wall (literally!) and the microphone clipped on the bell of my horn kept hitting my keyboard. Mark Cobb's right side crash hung over the top of my other keyboard--I think that it was probably closer to me than him. All of that being said, the volume wasn't too bad, though the bass was awfully loud.
The gig was really fun. I don't know if the crowd was into it, but I enjoyed playing some different tunes. We also hit some stuff beyond the realm of Reagan Rock--just stuff that the Y.O.U. guys used to play as covers. I got off a really good alto solo on Talking In Your Sleep--wish I'd recorded that, but I wasn't thinking I was going to play anything on it at all!
davidfreemanmusic.net
Wednesday, March 30, 2011
Humane Society Benefit
Yacht Rock played a benefit for the Humane Society at Sweetwater Brewery last night. I was worried--the weather was a little too chilly for me to have fun outside (and last time we were there we nearly froze to death). It turned out to be a non-issue. I mean, my horns were flat as hell, but everything continued to function, so I could deal with it.
By the end of the night, though, my hands were really not working well. We played Lido Shuffle as an encore and my hands just couldn't do the triplet thing in the synth build up.
Mark Cobb had some strange experiments with gaff tape throughout the night. Every set had stripes across the head of a different drum, it seemed. That and a strange pair bell cymbals (I guess)--about four inches in diameter, that rode atop his hi hat for a while. He's looking for some Steve Jordan/Chris Dave mojo.
So that was it. No rain, and we were finished at 9 PM. Not too bad.
We're off to Athens tonight.
davidfreemanmusic.net
By the end of the night, though, my hands were really not working well. We played Lido Shuffle as an encore and my hands just couldn't do the triplet thing in the synth build up.
Mark Cobb had some strange experiments with gaff tape throughout the night. Every set had stripes across the head of a different drum, it seemed. That and a strange pair bell cymbals (I guess)--about four inches in diameter, that rode atop his hi hat for a while. He's looking for some Steve Jordan/Chris Dave mojo.
So that was it. No rain, and we were finished at 9 PM. Not too bad.
We're off to Athens tonight.
davidfreemanmusic.net
Tuesday, March 29, 2011
Church Snippet
Not too much going on at the moment…I recorded (on my phone) a song we played at church gig number one a couple of days ago. I went for a Lenny Pickett approach (on a crappy reed!). Still, not bad for first thing in the morning. I start playing about a minute and a half in.
Mt. Bethel UMC-March 27, 2011 by David B Freeman
Church gig number two was pretty easy. I played lots of low stuff on flute. I'm dreaming of an alto flute. Wish I could afford one!
davidfreemanmusic.net
Mt. Bethel UMC-March 27, 2011 by David B Freeman
Church gig number two was pretty easy. I played lots of low stuff on flute. I'm dreaming of an alto flute. Wish I could afford one!
davidfreemanmusic.net
Sunday, March 27, 2011
Dixie Tavern
I played with the Yacht Rock Schooner last night at the Dixie Tavern last night. Not bad for a bar gig! The gig itself was good, but I nearly died waiting around--I was told to be there at 8. Ready to go at 8:10, but the soundcheck began at 9:30 (which means they checked the sax line at about 10), and we didn't actually start the gig until 10:30. Waaaaaaaaaaaaaay too long to hang out. Next time, I'm rolling in at 10.
Anyway, once we started playing, everything was cool. The band was solid, and there was something for me to do on every song of the first set.
Someone from the crowd told the two singers that the difference between the Schooner and the Revue was that the Schooner's sax player is so much better. Thanks?
davidfreemanmusic.net
Anyway, once we started playing, everything was cool. The band was solid, and there was something for me to do on every song of the first set.
Someone from the crowd told the two singers that the difference between the Schooner and the Revue was that the Schooner's sax player is so much better. Thanks?
davidfreemanmusic.net
Friday, March 25, 2011
10 High
We (Yacht Rock) used the 10 High as a preliminary rehearsal for the big 80s prom coming up in a few weeks at the Variety Playhouse. New oldies included Careless Whisper, Wake Me Up Before You Go Go, I Can Dream About You, and True. All came off without a hitch (ok-I had a medium small disaster in I Can Dream, but nothing fatal). We also added Hold the Line, which was alot of fun to play--I played power chords on the chorus and a synth part on the second and third verses. Easy stuff for me, but I bet we won't do that one too much--the vocals are super high.
The second set was fast. Mark Cobb played everything like he needed to go pee. We flew through every song. All of the sudden, the gig was over!
It was a pretty thin crowd. I won't bother to speculate why.
Tuesday, March 22, 2011
Monday trio gig
I played a really good trio gig with Louis Heriveaux (keyboard) and Kevin Smith (bass) at the Sheraton downtown. It was some kind of private gig…a networking thing.
Here are the audio files:
davidfreemanmusic.net
Here are the audio files:
davidfreemanmusic.net
Monday, March 21, 2011
Road Trippin'
Friday and Saturday, I was on the move with Yacht Rock.
Friday's show was with the Yacht Rock Schooner in Chattanooga at Rhythm and Brews. I just played saxes and flute, so it was a pretty easy night. The band sounded good; everything was solid, and it was nice to kind of have the night off on a gig. I probably did more cell phone videos than actual playing!
Saturday afternoon was a Yacht Rock Revue gig at Eagles Landing in Stockbridge. What a disaster! The van was late in arriving to grab our gear, and then it took us twice as long as was allocated to pack the trailer. We then moved our cars over to the Pleaserock office so as to avoid returning to smashed car windows. Once we got on the interstate, we decided to take 75 south instead of 675 south (which was what my phone kept telling me to do), and somewhere in there I recalculated directions to Stockbridge instead of Eagles Landing. So…we got off the interstate at the wrong exit before I noticed. Back on the interstate, down 75 another few miles. We got there with a little over and hour to get our gear in the room and soundcheck. Somehow, we finished with five minutes to spare!
Dig the curtain behind us. It looked just like the Hot for Teacher video. I couldn't stop thinking about that for the first couple of songs.
It just got worse from there. We had to kill off two and a half hours in our green room until our stuff was scheduled to be begin. The gig was a total drag. The room was pitch black, and with sunglasses on it seemed like we were playing inside Space Mountain, and after how many beers in those few hours I thought I was going to fall off the edge. The crowd was really stiff, and we got bored and then we had to drag ourselves to the bitter end.
Here's audio from the night. I recorded with my phone, sitting on one of my keyboards, so the balance is weird (right in between my amp, the guitar amp, and the drums). Check the cowbell duel. "Africa is percussive."
That's me on the solo--a bit of EWI magic.
Somebody cut the last chorus short. You can hear me yell "What the fuck!" and then Dannells and I chattering about it.
Africa (Toto): Yacht Rock Revue by David B Freeman
The theme for the party was James Bond (hence the "Octopussy" in the audio), so we played a little bit of Live and Let Die off the cuff. That went pretty well. Our other thing was the James Bond ending, which did not go well at all. We were going to do it in F minor, and I figured it out on EWI (which I have set to Bb). Unfortunately, the couple of times it was audibled, I was either playing keyboards, flute, or alto--never tenor or EWI, and my brain couldn't quite move the lick into another key! Actually, I think the time I did try to play it, Dannells was playing it in E minor, so even when I was finally right, I was still wrong.
We loaded the gear back out, and then the van wouldn't start because we were parked on a hill and the tank was almost empty. Greg and Ganesh left to find a gas station that was open and buy a gallon of gas. We packed the gear up, put some gas in the van, and drove home. When we got back to town, we went and picked up our cars at the office, and then caravanned to the rehearsal space, which turned out to be our only good move of the night. The gate for the space was locked and nobody had the key, so then we pulled our personal gear out of the trailer and went our separate ways (which meant somebody had to be responsible for the PA in the trailer and then deal with it again the next day).
Sunday began just hours later. I played church gig number one in a fog. It went pretty well. No big surprises. I went home, took a nap, got up and hung out with Jack. I took another nap. I got up and went to church gig number two. No problems. I think I had a pretty good mix happening. I came home and immediately/accidentally fell asleep, and woke up twelve hours later.
Another week cometh!
davidfreemanmusic.net
Friday's show was with the Yacht Rock Schooner in Chattanooga at Rhythm and Brews. I just played saxes and flute, so it was a pretty easy night. The band sounded good; everything was solid, and it was nice to kind of have the night off on a gig. I probably did more cell phone videos than actual playing!
Saturday afternoon was a Yacht Rock Revue gig at Eagles Landing in Stockbridge. What a disaster! The van was late in arriving to grab our gear, and then it took us twice as long as was allocated to pack the trailer. We then moved our cars over to the Pleaserock office so as to avoid returning to smashed car windows. Once we got on the interstate, we decided to take 75 south instead of 675 south (which was what my phone kept telling me to do), and somewhere in there I recalculated directions to Stockbridge instead of Eagles Landing. So…we got off the interstate at the wrong exit before I noticed. Back on the interstate, down 75 another few miles. We got there with a little over and hour to get our gear in the room and soundcheck. Somehow, we finished with five minutes to spare!
Dig the curtain behind us. It looked just like the Hot for Teacher video. I couldn't stop thinking about that for the first couple of songs.
It just got worse from there. We had to kill off two and a half hours in our green room until our stuff was scheduled to be begin. The gig was a total drag. The room was pitch black, and with sunglasses on it seemed like we were playing inside Space Mountain, and after how many beers in those few hours I thought I was going to fall off the edge. The crowd was really stiff, and we got bored and then we had to drag ourselves to the bitter end.
Here's audio from the night. I recorded with my phone, sitting on one of my keyboards, so the balance is weird (right in between my amp, the guitar amp, and the drums). Check the cowbell duel. "Africa is percussive."
That's me on the solo--a bit of EWI magic.
Somebody cut the last chorus short. You can hear me yell "What the fuck!" and then Dannells and I chattering about it.
Africa (Toto): Yacht Rock Revue by David B Freeman
The theme for the party was James Bond (hence the "Octopussy" in the audio), so we played a little bit of Live and Let Die off the cuff. That went pretty well. Our other thing was the James Bond ending, which did not go well at all. We were going to do it in F minor, and I figured it out on EWI (which I have set to Bb). Unfortunately, the couple of times it was audibled, I was either playing keyboards, flute, or alto--never tenor or EWI, and my brain couldn't quite move the lick into another key! Actually, I think the time I did try to play it, Dannells was playing it in E minor, so even when I was finally right, I was still wrong.
We loaded the gear back out, and then the van wouldn't start because we were parked on a hill and the tank was almost empty. Greg and Ganesh left to find a gas station that was open and buy a gallon of gas. We packed the gear up, put some gas in the van, and drove home. When we got back to town, we went and picked up our cars at the office, and then caravanned to the rehearsal space, which turned out to be our only good move of the night. The gate for the space was locked and nobody had the key, so then we pulled our personal gear out of the trailer and went our separate ways (which meant somebody had to be responsible for the PA in the trailer and then deal with it again the next day).
Sunday began just hours later. I played church gig number one in a fog. It went pretty well. No big surprises. I went home, took a nap, got up and hung out with Jack. I took another nap. I got up and went to church gig number two. No problems. I think I had a pretty good mix happening. I came home and immediately/accidentally fell asleep, and woke up twelve hours later.
Another week cometh!
davidfreemanmusic.net
Friday, March 18, 2011
Waiting is the Hardest Part
Last night was the big Pleaserock takes over Virginia Highlands night--multiple Pleaserock bands playing around the Dark Horse, Limmerick Junction, and Blind Willie's. Yacht Rock played the 9-11 PM slot in the parking lot. We had GREAT weather. Last year, it rained; there was no cover for the stage, so we never even played. The year before that was pretty good, but it got cold once the sun went down. The year before that was colder still. The high was in the mid-70s (how appropriate!), so we were still really comfortable through our sets.
The toughest/worst part about the gig was the fact that we loaded in at 4, but didn't play until 9. In the mean time, we stood around. The Stooge Brothers played. Then the Main Street Exiles played. Then the Ill-Eagles played. Finally, we got up there--frantically threw our gear on stage and got started. I preset as much stuff offstage as I could, but everybody was still waiting on me to get set (and I heard about it).
I played well. The big song of the night was Moonlight Feels Right, which we haven't attempted in about a year. I was really pleased with myself for figuring out a nifty keyboard split that allowed me to sustain a string sound with I played a two handed synth part (the chorus stuff, if you're checking it out). The string part was the one thing Bencuya and I could never grab before. Yay! I hope that one stays in the setlist; I like having something new to do. Maybe it will bump some of our warhorses off the map for a while.
Once we hit the 11 PM curfew, I dragged all my stuff offstage and packed it up. After locking it in the cab of my truck, I clawed my way into the 10 High and sat in with the Schooner (who was covering our usual gig). They sounded good. It's funny how the two bands play the same stuff, but the sound and feel can be so different. Anyway, I played on a few tunes and then the night ended.
davidfreemanmusic.net
Wednesday, March 16, 2011
Tuesday-House Live
Tuesday night was the final leg of our House Live tour…not really a tour, but after a couple of months of not having any gigs, we had Friday, Sunday, and Tuesday. Good stuff!
This one was the easiest of all--just a quick two hour gig at Ventanas. We made our usual pilgrimage to Baja Fresh across the street, and then came back and hit it.
It was blue dress shirt/dark pants night, and mostly dudes. Lots of one-on-one business talk.
Here's a couple of audio clips from the evening. In hearing these recordings, it's striking how different the levels appear in comparison to when I'm playing. On stage, the DJ component sometimes seems to be too much, but listening back now it seems that it is I who is too loud in the mix.
House Live (soprano) by David B Freeman
House Live (alto) by David B Freeman
At the end of the night, I put my phone on a cocktail table in front of us for a video. I guess it turns out to be mostly a video of Wayne.
davidfreemanmusic.net
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