Thursday night was a really good night of Yacht Rock at the 10 High. It was much more crowded than it has been, and the band played really well. All my equipment even worked! Weird, huh?
Pete said that Dannells' and my dancing was a "swirling hurricane of physical friendship."
More tonight...we are at whatever used to be Andrews Upstairs (now 8 Track Disco?), beginning at 9:30.
www.davidfreemanmusic.net
Friday, April 2, 2010
Thursday, April 1, 2010
Please Pleaserock Me
Back to Yacht Rock for the rest of the weekend, and then Easter church gigs. Stay tuned!
www.davidfreemanmusic.net
Wednesday, March 31, 2010
Baritone Saxophone
Here's a computer video of me screwing around with my bari sax. I was demonstrating for a friend that I'd fixed a leak with made the low end unplayable. Nothing great, musically speaking. That's the beauty of the baritone saxophone!
You might want to turn down your speakers before the video starts.
www.davidfreemanmusic.net
You might want to turn down your speakers before the video starts.
www.davidfreemanmusic.net
Tuesday, March 30, 2010
new Cobb!
Mark and Katy Cobb had a baby boy this morning! Gadson Cobb is alive and well! Congratulations!
Monday, March 29, 2010
Sunday in the Rain
Sunday night was a strange one.
I went to Buckhead and played my usual church gig. No problems there, though a big pine tree had blocked one of the streets so I had to navigate around it.
The second gig was a Yacht Rock gig at Park Tavern for the Pamoja Penda Music and Art Festival. Due to some crappy weather that blew threw Atlanta a few hours before (probably knocked down the pine tree), the crowd had dwindled from a few thousand to fewer than one hundred by the time we had arrived. A bummer, no doubt, but it did make the load in easier!
All of my equipment worked for a change. I was sort of anticipating some sort of disaster (because that's the norm these days), but everything was fine. The only thing I can think of is that I had to change batteries on a wireless pack in between songs.
This week should be pretty good. We have another Beatles tribute gig at Smith's Olde Bar on Wednesday night, Yacht Rock Thursday and Friday, and the Yacht Rock Schooner (where I will attempt to not go flat) on Saturday. It's manageable.
www.davidfreemanmusic.net
I went to Buckhead and played my usual church gig. No problems there, though a big pine tree had blocked one of the streets so I had to navigate around it.
The second gig was a Yacht Rock gig at Park Tavern for the Pamoja Penda Music and Art Festival. Due to some crappy weather that blew threw Atlanta a few hours before (probably knocked down the pine tree), the crowd had dwindled from a few thousand to fewer than one hundred by the time we had arrived. A bummer, no doubt, but it did make the load in easier!
All of my equipment worked for a change. I was sort of anticipating some sort of disaster (because that's the norm these days), but everything was fine. The only thing I can think of is that I had to change batteries on a wireless pack in between songs.
This week should be pretty good. We have another Beatles tribute gig at Smith's Olde Bar on Wednesday night, Yacht Rock Thursday and Friday, and the Yacht Rock Schooner (where I will attempt to not go flat) on Saturday. It's manageable.
www.davidfreemanmusic.net
Sunday, March 28, 2010
Schooner Saturday
Tonight was a super easy gig with the Yacht Rock Schooner at the Wild Wing Cafe in Alpharetta. No keyboards, no EWI...just saxes and flute. All my stuff was in the first set, too, so I was home before they finished the gig (and I texted them to let them know).
I felt pretty good, playing-wise. I recorded most of the first set (I missed the first couple of songs because I forgot to turn the thing on), and I'm kind of flat (speaking in terms of pitch), but the effort is good. I didn't get much in the monitor because we (Mark Bencuya and Kevin Spencer) were sharing the wedge, and that's usually when I start to overblow and go flat.
You'd think with no keyboards and no EWI I'd be safe from technology's evil plans (or my stupidity), but I did have one small problem. I left the transmitter on my tenor on while I was playing alto on I Can't Go for That, and a couple of times the tenor cancelled out the signal and I got no sound in the microphone (you can hear it in the solo--when there's no chorus effect it's because you're hearing acoustic sound only). Way to go, Freeman!
Ganesh Giri Jaya played drums tonight. I think it's the best set I've ever heard him play. He nailed everything.
Bencuya played some awesome organ stuff on Biggest Part of Me. He did this perfect palm slide that made my knees buckle.
Check out the HORRIBLE wrong note I sat on at the end of the bridge/beginning of the last verse of Summer Breeze! More evidence that I could not hear what I was playing. Ouch.
www.davidfreemanmusic.net
I felt pretty good, playing-wise. I recorded most of the first set (I missed the first couple of songs because I forgot to turn the thing on), and I'm kind of flat (speaking in terms of pitch), but the effort is good. I didn't get much in the monitor because we (Mark Bencuya and Kevin Spencer) were sharing the wedge, and that's usually when I start to overblow and go flat.
You'd think with no keyboards and no EWI I'd be safe from technology's evil plans (or my stupidity), but I did have one small problem. I left the transmitter on my tenor on while I was playing alto on I Can't Go for That, and a couple of times the tenor cancelled out the signal and I got no sound in the microphone (you can hear it in the solo--when there's no chorus effect it's because you're hearing acoustic sound only). Way to go, Freeman!
Ganesh Giri Jaya played drums tonight. I think it's the best set I've ever heard him play. He nailed everything.
Bencuya played some awesome organ stuff on Biggest Part of Me. He did this perfect palm slide that made my knees buckle.
Check out the HORRIBLE wrong note I sat on at the end of the bridge/beginning of the last verse of Summer Breeze! More evidence that I could not hear what I was playing. Ouch.
www.davidfreemanmusic.net
Friday, March 26, 2010
Double Thursday
Yesterday was another double gig Thursday for me. House Live did another gig at Ventanas downtown. As you can see, it was another cool looking gig, and we had a good time. My new shirt performed well.When that gig ended, I drove like a wild man to the 10 High for the Yacht Rock gig. I'm beginning to think that the crowd will never catch on to the fact that we start at 9:30--everybody turns up in the middle of the first set (10 PM!).
This installment of Yacht Rock was invaded by the Schooner! We had Ganesh Giri Jaya on drums, Kevin Spencer on vocals and Vanessa Olivarez on vocals. We played lots of tunes we haven't touched in a while, which was cool, and then kind of frightening! Lots of "I wish I'd played through that this afternoon" moments. Overall, I think things went pretty well. The second set kind of steamrolled me, though--a few too many in a row where I didn't get a chance to think them through before we got on stage. The giant Newcastle on the break was also involved.
The Great Mark Cobb came through around 10:30 and stayed and played in the second set. He even sang Brandy, which hasn't happened in quite some time.
Now...the equipment problem of the night! This gig's weirdness occurred either in my little mixer or my DI to the house. Hans (sound guy) says that my levels would be either really hot or barely there at all. Things were fine on stage, so I'm thinking that the aux send on my mixer is messed up. I would rather it was the DI, but I doubt it. A few months back Hans mentioned that my level was much lower than the previous week (even though I hadn't adjusted anything on my board). I suppose it could be his line, too. I guess we'll troubleshoot over the next month and see where the problem is. The fun never ends!
Wednesday, March 24, 2010
Tuesday at Opera
We did a House Live gig at Opera in midtown last night. It was an "industry event", so it was a mixer for a bunch of event planners. Steven Walker (drums/percussion), Jeff Burnisky (DJ), and myself were set up in a tent outside. When we began, the thing was like a greenhouse. It was probably 10 degrees hotter in the tent than outside. Once the sun went down, it was chilly everywhere. Playing in the cold weather makes my hands feel terrible.
Not much to report...I messed around with my effects pedal a good bit--a dialed in a nice slapback delay, a la Sanborn's effect on Young American! I still haven't quite let my obsession with that go.
I also made some HORRIBLE sounds! You can set the effect up for a parallel interval, and I tried the following (just to bother Steven): half step (painful!), whole step (very comfortable!), fourth above (weird), and an octave plus a half step (back to painful!). You can investigate these intervals on a gig like this. A fourth and a fifth below actually sound cool. A third below if weird, but in a good way.
We were hoping to get some food out of it, but all they had were homemade pop tarts and some really funky (as in really gross) Chinese food. Those parallel fourths were for you.
There were lots of strange fashion choices by our audience. The boots/skirts thing is either sublime or hideous. Here in Atlanta, it's been cowboy boots and mini skirts (of which I am generally not a fan), but there were also mini skirts and UGGs (of which I am definitely not a fan). Not to be outdone, there was some weird MC guy (in the final two pictures!) wearing a pinstriped fedora, "Oakley/blades" type sunglasses, an Ed Hardy style shirt, and furry black and white (rabbit skin?) boots.
Here are some great moments:
1. Girl asks if she can play my flute. "No." She says she plays flute. "Bring your own." "We could duet." I decline. Girl says, "I think I still have my flute." End of story.
2. Good looking woman who could be Robin Roberts' stunt double asks me if I "go out in the audience." Like work the crowd? Yes, she says. I'm playing into a microphone on a stand, so no. Do I do it at other events? It costs extra, I say. Antoine (or whatever her favorite sax player's name is), does this, and people go crazy. My reply: I'm not saying it's not effective, I'm saying it's really cheesy. She should probably hire Sergio for that.
3. The soap in the restroom smelled like Raid, and my hands thus smelled like Raid until I could get home and wash them.
www.davidfreemanmusic.net
Sunday, March 21, 2010
Technology Gives me the Finger
I am writing you from my laptop, which for the past two minutes has been having a seizure, but now looks fine again. That's pretty much how it goes for me and technology tonight. As soon as the thought "I'm buying a new laptop tomorrow" flashed in my brain, this laptop went back to normal. Now it's doing it again. Me and technology, we're not friends right now.
It just did it again, and I had to shut the computer all the way down (the screen wouldn't come back on at all). Now it seems fine.
This afternoon Yacht Rock played a gig at the Tin Room Cantina over by North Druid Hills. From the get-go I should have known that it was not meant to be.
We got set up and soundchecked (in direct sunlight, which is always fun for not being able to read any displays--never mind the way my reeds dried out and looked like potato chips). Everything worked fine, but about four songs into the gig, my wireless microphone on my sax started picking up RF interference (which made it sound like I was playing saxophone with gale force winds around me). At the time, I had no idea it was interference--I assumed my microphone had developed a short, so I switched to my other microphone, but it was no better. I tried changing the channel on my wireless, and that made it better, but I still was picking up some radio noise. In the midst of dealing with this (and the gig continued while I was trying to dissect the problem), the generator that was providing power for the stage began to run out of gas. Due to this fuel problem, the power began to fluctuate, and the keyboard I was playing (while thinking about how to solve my sax mic problem) went dead and then came back on. As I was playing, it did it again, and then my entire setup lost power (as did the guitar). We limped through the song and then took a break so the sound guys could solve that problem.
So...we came back from the break. I checked my microphones, I checked my keyboards, I checked my EWI. Everything worked fine with no strange noises. We played for what seemed like two hours, and somewhere in the middle my EWI decided to go berserk. I was playing it and all of the sudden it would hang a note (the note would not stop). Then it wouldn't make any noise until I reset it (at one point, I restarted the computer, tried it, and restart it again, all while trying to play my EWI part on a keyboard). What's that? I spent the next couple of songs trying to diagnose that problem while playing something else. Before I could solve it, the dang thing hung up again! I missed some really critical stuff, like the solo in Africa.
What's the issue with this thing? It's radio interference again! My EWI is hooked up to a wireless MIDI system, and when the notes would hang, it was because my MIDI receiver had lost contact with the transmitter (thus hanging the last note). Once I'd figured that out, I grabbed a MIDI cable out of my bag and bypassed the wireless. From there on out, everything was fine, but by then my brain was pretty much wrecked. All I wanted to do was leave!
I have to write this down before it gets away: Mark Cobb is awesome. Had it not been for the f**king RF interference that ruined my day, this blog would've instead been a catalog of great stuff he did at the gig today. The most awesome thing tonight occurred in Escape (Pina Colada Song). During the musical interlude, Cobb started playing the dotted quarter note (I think) as the pulse, and then started swinging that (I think I'm remembering this correctly). It was soooooo great! He also flipped the time around in something else (Somebody's Baby?) and put the backbeat on one and three, and then flipped it over again, and then again, and the other six of us just about blacked out. So awesome. Mark Cobb it is.
Anyway, I'm home now (watching Norah Jones on Austin City Limits). When I got back here, I tried out my wireless MIDI and it worked fine. My laptop looks perfectly good right now--the screen has settled down and it's working as well as it ever has. Why does technology have to embarrass me to the point of contemplating a career change? Why? All my stuff used to work fine, but now I'm totally gun shy--it's Russian roulette waiting for my next equipment disaster to come around. I don't know what the solution is.
www.davidfreemanmusic.net
It just did it again, and I had to shut the computer all the way down (the screen wouldn't come back on at all). Now it seems fine.
This afternoon Yacht Rock played a gig at the Tin Room Cantina over by North Druid Hills. From the get-go I should have known that it was not meant to be.
We got set up and soundchecked (in direct sunlight, which is always fun for not being able to read any displays--never mind the way my reeds dried out and looked like potato chips). Everything worked fine, but about four songs into the gig, my wireless microphone on my sax started picking up RF interference (which made it sound like I was playing saxophone with gale force winds around me). At the time, I had no idea it was interference--I assumed my microphone had developed a short, so I switched to my other microphone, but it was no better. I tried changing the channel on my wireless, and that made it better, but I still was picking up some radio noise. In the midst of dealing with this (and the gig continued while I was trying to dissect the problem), the generator that was providing power for the stage began to run out of gas. Due to this fuel problem, the power began to fluctuate, and the keyboard I was playing (while thinking about how to solve my sax mic problem) went dead and then came back on. As I was playing, it did it again, and then my entire setup lost power (as did the guitar). We limped through the song and then took a break so the sound guys could solve that problem.
So...we came back from the break. I checked my microphones, I checked my keyboards, I checked my EWI. Everything worked fine with no strange noises. We played for what seemed like two hours, and somewhere in the middle my EWI decided to go berserk. I was playing it and all of the sudden it would hang a note (the note would not stop). Then it wouldn't make any noise until I reset it (at one point, I restarted the computer, tried it, and restart it again, all while trying to play my EWI part on a keyboard). What's that? I spent the next couple of songs trying to diagnose that problem while playing something else. Before I could solve it, the dang thing hung up again! I missed some really critical stuff, like the solo in Africa.
What's the issue with this thing? It's radio interference again! My EWI is hooked up to a wireless MIDI system, and when the notes would hang, it was because my MIDI receiver had lost contact with the transmitter (thus hanging the last note). Once I'd figured that out, I grabbed a MIDI cable out of my bag and bypassed the wireless. From there on out, everything was fine, but by then my brain was pretty much wrecked. All I wanted to do was leave!
I have to write this down before it gets away: Mark Cobb is awesome. Had it not been for the f**king RF interference that ruined my day, this blog would've instead been a catalog of great stuff he did at the gig today. The most awesome thing tonight occurred in Escape (Pina Colada Song). During the musical interlude, Cobb started playing the dotted quarter note (I think) as the pulse, and then started swinging that (I think I'm remembering this correctly). It was soooooo great! He also flipped the time around in something else (Somebody's Baby?) and put the backbeat on one and three, and then flipped it over again, and then again, and the other six of us just about blacked out. So awesome. Mark Cobb it is.
Anyway, I'm home now (watching Norah Jones on Austin City Limits). When I got back here, I tried out my wireless MIDI and it worked fine. My laptop looks perfectly good right now--the screen has settled down and it's working as well as it ever has. Why does technology have to embarrass me to the point of contemplating a career change? Why? All my stuff used to work fine, but now I'm totally gun shy--it's Russian roulette waiting for my next equipment disaster to come around. I don't know what the solution is.
www.davidfreemanmusic.net
Saturday, March 20, 2010
Friday Quartet gig
Tonight (Friday night) I had a quartet gig downtown for some kind of pharmaceutical dinner. The band was Louis Heriveaux (keyboard), Kevin Smith (bass), and Kinah Boto (drums). They made it so easy! The client was also very cool and they left us alone to play the music and enjoy ourselves. They even thanked us after the gig. Here are the mp3s for your listening pleasure:
www.davidfreemanmusic.net
www.davidfreemanmusic.net
Friday, March 19, 2010
Thursday Threefer
Thursday was a tough day. Three gigs! I'd never done that before.
1. I played a duo gig with Tyrone Jackson at 7:30 in the morning at an elementary school in Austell. This was fun because Tyrone is so much better than me. It takes everything I've got just to keep up.
I went home and crashed for a few hours. I got up early in the afternoon, loaded my truck, bathed, and headed out the door. I loaded into the 10 High that afternoon.
2. I played a quartet gig/house band for an awards ceremony at the St. Regis Hotel in Buckhead. This one was a killer--they are (let's say) very particular, and even though I've done the gig twice before, they did not express much confidence in me. The event seems to be pretty immaculately planned, but they dropped lots of last minute stuff on me which really frayed my nerves. Louis Heriveaux, Kevin Smith, and Marlon Patton did a terrific job dealing with everything and we made it out alive! I got out at 9:07 PM and drove like hell.
3. At 9:30 PM, I was in the 10 High, dressed and ready to go. We played our usual stuff. No problems to report. Nick helped me load out.
I noticed on my alto that I've maybe been putting less mouthpiece in my mouth, and it has led to problems with the altissimo feeling very pinched. Last night I made a conscious effort to use more mouthpiece, and I was much more comfortable up there. I was screaming!
Sanborn's mic is distorting...kind of like they said, "We can't do slapback in the studio, but we have this other effect we can use!"
I've been listening to David Bowie's Young Americans almost constantly over the past few days. I'd forgotten just how awesome David Sanborn's playing is all over that record. He did the tour to support that album, too. I wonder if he got bored with the freedom to play anything anywhere night after night. I don't hear any set parts anywhere--sounds like he had free reign. The stuff on the record is magnificent. There's also a video of him playing on The Dick Cavett Show:
Sanborn's mic is distorting badly...kind of like they said, "We can't do slapback in the studio, but we have this other effect we can use!"
He's still the man. I've give both nuts to trade places with him in this video.
www.davidfreemanmusic.net
1. I played a duo gig with Tyrone Jackson at 7:30 in the morning at an elementary school in Austell. This was fun because Tyrone is so much better than me. It takes everything I've got just to keep up.
I went home and crashed for a few hours. I got up early in the afternoon, loaded my truck, bathed, and headed out the door. I loaded into the 10 High that afternoon.
2. I played a quartet gig/house band for an awards ceremony at the St. Regis Hotel in Buckhead. This one was a killer--they are (let's say) very particular, and even though I've done the gig twice before, they did not express much confidence in me. The event seems to be pretty immaculately planned, but they dropped lots of last minute stuff on me which really frayed my nerves. Louis Heriveaux, Kevin Smith, and Marlon Patton did a terrific job dealing with everything and we made it out alive! I got out at 9:07 PM and drove like hell.
3. At 9:30 PM, I was in the 10 High, dressed and ready to go. We played our usual stuff. No problems to report. Nick helped me load out.
I noticed on my alto that I've maybe been putting less mouthpiece in my mouth, and it has led to problems with the altissimo feeling very pinched. Last night I made a conscious effort to use more mouthpiece, and I was much more comfortable up there. I was screaming!
Sanborn's mic is distorting...kind of like they said, "We can't do slapback in the studio, but we have this other effect we can use!"
I've been listening to David Bowie's Young Americans almost constantly over the past few days. I'd forgotten just how awesome David Sanborn's playing is all over that record. He did the tour to support that album, too. I wonder if he got bored with the freedom to play anything anywhere night after night. I don't hear any set parts anywhere--sounds like he had free reign. The stuff on the record is magnificent. There's also a video of him playing on The Dick Cavett Show:
Sanborn's mic is distorting badly...kind of like they said, "We can't do slapback in the studio, but we have this other effect we can use!"
He's still the man. I've give both nuts to trade places with him in this video.
www.davidfreemanmusic.net
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