Friday/Saturday

Friday night, we played Mara Davis' 40th birthday party at the W Midtown (Colony Square). That was a pretty good one. The load in was a little rough--into the tunnel under the hotel, up the elevator to the top floor, down a long hallway, and you're in there. Not the easiest, but I had my cart, so it was not bad. After we set up, we walked to the park to go eat, and I got lots of looks due to my current style--bald head, mustache, and I happened to be wearing a Mac shirt with a big rainbow across the front. The party itself was pretty lame, due mainly to loud house music and a poor attempt at a roast. Our part of the show came off really well. It was pretty easy. I think we played about an hour and a half and we were done.

Saturday night we played Smith's Olde Bar. Everyone from Yacht Rock was involved, but it was the release of Y.O.U.'s new EP (which is awesome, by the way). For this gig, we added my friend Eric Alexander on trombone for five songs. I like the sounds we got without having a trumpet present. Eric and I play well together, too, so this gig was a ton of fun. I did a few of the arrangements, and we adjusted a few of Nick's arrangements to make it work for the two horns, and everything worked well. I dug it.

Playing a gig like that always causes me to reevaluate my career. Sometimes I think there's so much pressure to make the money I need to support my family, I forget about the raw energy of getting up in front of a crowd who's there to see you and letting it rip. The story of my musical life, I guess...trying to play enough money gigs to keep myself afloat, but also trying to play in every creative musical situation that I can get to.

Y.O.U.-The Long Playing EP

The Y.O.U. CD release concert is this Saturday at Smith's Olde Bar. I will be performing on multiple tunes. Please come check us out--support original music!

Saturday hurt me

Saturday hurt me. I was up until at least 2:30 AM Friday night, and then I woke up at 6 AM so I could get my butt down to the Georgia International Convention Center by 7:15 AM. We (basically my church gig at St. Ann's with Kevin Wyglad) played for what looked like a jillion people for the Eucharistic Congress for the Archdiocese of Atlanta. We finished just after 11 AM. I took Beth to Peachtree City, and then went home and ate lunch. Then I loaded the truck with my Yacht Rock stuff and headed to the zoo for the Brew at the Zoo.

I played with Y.O.U. in their set. They were, of course, awesome. Then we reset and played a long Yacht Rock set. We did well, and the crowd responded in kind. I didn't have much sax playing in the Yacht Rock set--mostly EWI. I do wonder how much I contributed last night--I was pretty wiped out.

Mark Cobb taught me about funk drumming--it's much funkier when you play backbeat on the snare and do the accents with the kick drum.

I got home around 10:30 PM, and I bet I was alseep within an hour. I needed it. I woke up with the lights and TV still on...with just enough time to take a shower, swap out gear, and head out to my next gig--12:15 mass at St. Ann's.

Friday-Prince

Friday was a big driving day.

I got up as late as I could and headed out the door to a rehearsal for my Saturday gig. It was down at the International Convention Center (down by the airport). I was down there for a couple of hours in an enormous exhibit hall.

When that was finished, I raced home and finished getting my book of music ready for my sax sub for a gig Saturday night. I had a few charts I needed to write out on the computer. When that was finished, I ran and dropped the book off.

Late Friday night, I got dressed and ran down to Little 5 Points for the Prince Tribute at the Star Bar. I played on Head with Y.O.U., and a New Orleans/Meters version of A Love Bizarre with Edenrage and Chanda Leigh (I'd never met these people before we played! The guy texted me once we both got there and I found him by his decription. They'd asked through a friend if I would join them). Pretty cool stuff. I was glad that A Love Bizarre went with a different feel, so I could avoid playing more or less the same sort of solo I'd played on Head. Mark Bencuya played an awesome synth solo on a tune they played without me. I think it's the best solo I've ever heard him play.

Afterwards, Mark Cobb hipped me to some really cool stuff I'd never heard--a band from the 70s called Cymande and the Headhunters album without Herbie Hancock. Gritty 70s funk. Awesome! We got into a discussion about whether it's better to approach a tribute situation like the Prince tribute by playing exactly like the record, or it's better to do your own thing with the song. I can see it either way, as long as the musical decisions are legit (i.e. don't decide to skip the bridge because you can't remember it).

I got home around 2 AM. Not good--I have to be at my next gig at 7:15 AM!

Memorial Day

My friend Nick married Elliott yesterday. Congratulations!
I played flute for the wedding ceremony in a sextet of trumpet, violin, flute, acoustic guitar, harpsichord (keyboard), and vibraphone. Nick wrote arrangements of several Y.O.U. songs, a Beatles song, a few classical things, and a Monty Python tune. It was some pretty intricate stuff, but we made it through ok.  The performance fried my brain.  
I was also invited to play on a few songs at the reception. We did a few Yacht Rock songs, as well as some Y.O.U. stuff. That went pretty well, considering the swapping of instruments and singers from song to song.

More than anything, it was a nice chance to hang out with my friends (away from a gig for a change) and show off my wife.  Surrounded by a bunch of other musicians, I felt almost normal!

Highlands, NC is a beautiful little town in the mountains. Beth and I had a wonderful time.  I am tempted show a picture of Beth after sampling the wine, or a picture of me feeding Mark Dannells wedding cake, but you will have to imagine it.  Or you can email me and I'll show you.

Peter Olson

Happy Birthday to Peter Olson, the smoothest, most unflappable person I have ever met. You're a good man.