Thursday: We (Yacht Rock) flew to Boston to begin our run of shows in the northeast. The van and trailer (and our crew of Kip and Zach) picked us up.
Boston: still under construction |
Boston Common--oldest park in the country (yes, I looked that up) |
Our show in Boston was at The Royale. It was a beautiful room with a nice sized stage.
Great show! Somewhere around 500 people showed up, which I would say is a major victory for our third time in the city. Other than that...I don't remember anything. That probably means it was good.
Ahhh...we changed the end of Africa, so now we go into a sax solo over the groove to Flashlight by Parliament (instead of an EWI solo over the accelerating Africa groove). Make sense? You can watch it here: https://www.facebook.com/fenderp/videos/vb.1438865258/10207740065926499/?type=2&theater
Yacht Rock Revue plays Toto's Africa...damn cool
Posted by Don Mangels on Saturday, October 3, 2015
photo cred: Kip Conner |
Friday: we drove from Boston to NYC for our first show at the Bowery Ballroom.
No rain in Boston, but by the time we hit Manhattan, the rain was pretty steady.
In spite of the weather, we sold out the Bowery Ballroom. Yay! 575 people.
Robbie Dupree came down from Woodstock and we played his three songs (I'm No Stranger, Hot Rod Hearts, and Steal Away). Another good night of playing. New York City is always a great gig.
photo cred: Kip Conner |
stolen from Instagram |
Post gig...not as exciting. Some bimbo who had been invited into our dressing room by a friend of a friend asked me as I was finishing changing clothes if I was in the band. As you might expect, I said no, and then asked her if she was in the band. I guess that makes us even.
Load out in the rain on a Friday night in Manhattan. Not fun.
Saturday: We spent the night at a hotel on Long Island. With most of the day to kill, a few guys went to the movies. I stayed in my room and wrote charts for an upcoming gig. Kip, Zach, and I also had lunch at Wendy's. Spine tingling levels of excitement.
Saturday night's show was at The Paramount in Huntington, NY. It might just be the best venue we play. The stage is great, the crew is great, the backstage is great, the food is great (enough), the post-gig hang in the speakeasy in the basement is pretty great.
The last time (first time) we played here, the marque said something like "70s Soft Rock." They didn't even use our name. This time, we made it.
photo cred: Don Mangels |
Sunday: we headed on down to Washington, DC. The rain had dissipated. Lunch was somewhere at a sandwich shop in Delaware. Eagles fans. It felt like a suburb of Philadelphia.
Try and guess what Pete ordered...
I can't remember anything about our playing on this one, other than I was a little shaky/distracted at the beginning of the night. It took a few songs for me to get into the gig.
We stayed at a hotel right near the Pentagon to facilitate Monday's fly date.
Monday: ouch. 6:15 AM lobby call. I went to bed around 3 AM after showering. Not so good. We flew out of Reagan National to San Antonio, TX, with a connection in (of all places) Atlanta.
I was awake enough to work on charts on the flight to Atlanta, but then I slept pretty much from the moment I sat down until we landed in Texas.
The Great Bencuya sleeps |
This was some kind of private event. I really have no idea who we were playing for (though somebody said it was medical related).
Here's how Monkeyboy got through it.
Kind of a small stage. Mostly the same backlined gear we'd played a month or so earlier in Austin.
It was a snoozer of a gig at first, but the crowd finally came around when we played Islands in the Stream, and from then on the dance floor was pretty solidly packed. Not a bad gig for a Monday.
Tuesday: we were able to sleep late (10:30 lobby call) before heading home. More charts were created on the plane.
Charts, charts, charts...what the hell for? These are for a gig next Monday, October 12, at Venkman's. The Pleaserock Horns (Rob Opitz, Richard Sherrington, and myself), along with David Ellington (piano), Kevin Smith (bass), and Marlon Patton (drums), are performing Miles Davis' Kind of Blue. The second set will be other tunes of the period performed by Miles' sextet at the time.