Tuesday, June 21, 2016

Florida and the Midwest

Yacht Rock had an usual weekend of travel this past weekend, with two dates in Florida, and then a night in Indiana and a night in Chicago.  Every gig was very different from the others, making the daily question "What are we in for today?"  Here's what I remember of the trip.

Thursday:  our gear left in the van and trailer Wednesday with Hans at the wheel.  We flew down to Miami to meet it.

Last minute phone time before take off.


We got into South Florida just ahead of the day's first pop up shower, which hit right as we parked to go find lunch.


After an OK lunch (the food was good, but it took almost forever for it to be served), we headed to the venue, a very modern hotel in Miami Beach.  Unfortunately, the shipping and receiving guys didn't quite know what to do with us, and we had to hang out for a few minutes before our path was cleared.  More phone time (except for Zach).


This was one of our worst load ins ever.  From the loading dock, it was down the hall, into the freight elevator, down the hall, through the parking deck, down another hall, and finally into the room.

The evening's event was some sort of corporate party.  They seemed pretty into it, which made for a fairly painless event.



The post show load out was almost as difficult as load in--Hans figured out that we could cut across the parking garage and then use the garage exit ramp, and we'd be right in front of the loading dock.
Tricky, especially because yet another quick rain shower had made the ramp very slippery.


Friday:  we were able to sleep pretty late before van time.  Our hotel breakfast included the usual coffee, fruit, and waffles.  Nothing says Miami like a waffle in the shape of Texas.


On a gas stop, Greg purchased a large quantity of watermelon.  I tried to share it with him, but it was tough.  When no one was looking, I also drank the juice.


Another burst of rain somewhere on I-95.


Hats?  Thankfully, he bought neither.



We stopped for lunch at a Mexican restaurant in Fort Pierce, where Kip demonstrated his latest trick.


So Orlando...we played at The Plaza Live, which was opening for the first time since the shootings the week before.  It's a nice room--big stage, big room.  I like it.



The memorials for Christina Grimmie, shot and killed by a deranged fan after performing at The Plaza last week, were still there.  In addition to the massive security presence, the local news was also out covering the reopening.



This show was pretty heavy for me--in addition to the pressure of playing our first show in what is more or less my hometown, the band was very conscious of the need to help heal Orlando.  There were a few cancellations, but most of the 200+ people who'd purchased tickets showed up, desperate to get things back to normal.  I hope we did our part.


One last thing:  I met Mark Dannells' childhood friend tonight.  His name is David Freeman, too.  Weird.

Friday:  another fairly early lobby call for the airport shuttle.  We flew Southwest to Indianapolis while Hans drove our gear back to Atlanta.

We boarded the plane, and the stewardess was parked right in the row where I wanted to sit.  When I asked for the seat, she told me I could sit down, but refused to move, so I had her butt in my face for a while as the plane filled up, which was very awkward.


She eventually moved across the aisle.



We landed in Indianapolis around lunch time with hours to kill, so we parked the rented minivans and headed out to find lunch.


Greg, Monkeyboy, and I headed to Yats, our/my favorite New Orleans restaurant in Indiana.


First, I had a plate of red beans and rice.


Then I had an 8 oz. cup of gumbo.


The food was fantastic, but we all ate waaaaaaay too much.  It's a good thing we had a mile walk back to the vans.

Bicycle tire art.


Indianapolis native Kurt Vonnegut.  Monkey is holding up his phone while singing a ditty about Kurt to the tune of Bobby Brown's My Prerogative.


We still had some time to kill before load in, so we hung out downtown.  Indy is a pretty perfect city, and the weather made it even better.




A grumpy old man yelled at us as he passed by--something like "Every one of you is on a device!", to which Monkey replied, "You should see the device I have up my ass!"


The evening's gig was a birthday party in Carmel, Indiana.  What a house!  The party was in a big tent in the backyard, and we were given the basement as a green room.  Check this out--this is all basement!


Movie room!


The bar:


The trophy/memorabilia room with the poker table.


The wine room:


The party was in a large tent in the backyard.  A tent strong enough to support those lights is a quite a structure.  Bugs (gnats) were a major problem during set up, to the point where we thought we might have to go and buy bug spray in order to make it through the gig.  After the sun went down, the bugs went away.


The backline company on this gig really nailed it.  Their gear is really well maintained, and they had everything pretty much set up when we arrived.


Zach posing for his magazine ad?


The view out the back of the tent.  It's definitely Crooked Stick Golf Course hole #9, according to local golf legend Brad Allen.



Check out these wind chimes!


Not a huge crowd (maybe a hundred people?), but they were into it from the beginning, and the female members of the audience were easy to look at.  A nice night and a nice gig.


Saturday:  we slept pretty late again, and then it was time to drive to Chicago.  There's not a whole lot to see between Indy and Chicago, but the farmland and tiny towns along the way are picturesque.

Lafayette.




I can't explain why, but the I-65 wind farm is still fascinating every time we drive through this part of Indiana.




Gary.


Lake Michigan.



Our gig for the night was a fundraiser in the ballroom at the end of the Navy Pier in Chicago.

Right off the bat, Bencuya's rented keyboard stand went down, and by chance I happened to have an eyebolt.  I don't know if the SIR Chicago backline guys were impressed with the "Dave mod" to the Quiklok 642, but I can tell you that I nearly drowned in my own smugness.



The clip art I chose for the night's setlist was pretty clever, but got no reaction from the band (Kip liked it, though).


This room looks great, but the sound is...not so good.  Maybe it's ok on the stage, but we were at the opposite side of the room, and the slap of the sound coming back was very strong.


Soundcheck was tough!  Chicago is always very difficult when you need radio frequencies for the wireless packs, and the end of the Navy Pier has a giant cell phone tower on it.  There was some weird stuff going on--my pack ended up on the same frequency as Monkey's pack, giving me a very different mix.  It took a couple of minutes for Zach to troubleshoot it.

Following soundcheck, we ventured into town for food.



What the hell is that?


Nick found a good pizza place (not deep dish, but "NY style").  One of the more unusual ones we had:  pizza of prosciutto, arugula, and grape tomatoes.  It tasted pretty good, but there was nothing to glue it together.  One bite, and it all fell into individual ingredients.


After eating, we still had a couple of hours to kill, so several of us went for a walk around town.  It was a beautiful evening in Chicago.



This dude was playing Dust in the Wind on vibraphone.




One of the best things we came across was the symphony playing a concert in Grant Park at Millennium Park.  This whole thing was super badass, and sounded great.


On to our gig.  The auction before our part ran long, so we only got through six songs before we had to take a break for the fireworks.  Those first six were tough, though.  We were basically in the back of the room, and I'm sure most of the people didn't even realize there was a band playing.


Fireworks over Lake Michigan.  Nice!



We went back to work for a second set, which was a bit better than the first in terms of an audience.  We did fine amusing ourselves in spite of them.


We spent the night at an Aloft near O'Hare.  I like the layout of these rooms, but the beds are not that great.  Somebody else pointed out that it was basically a futon.


Sunday:  one more early lobby call, this time for our flight home.  Four bananas and a medium coffee at the gate helped me get going.


Careful with that ax, Eugene.


Shows this weekend:

Friday night in Chattanooga at Track 29.


Sunday night at Venkman's in Atlanta.


Monday, June 13, 2016

Sunday Brunch

I played a trio gig with David Ellington (piano) and Mike Beshara (bass) for the brunch at Venkman's on Sunday.  There was quite a crowd in front of us, which made for a boisterous first set, but once they cleared out it was a little easier to hear ourselves on stage.

I always enjoy taking a stab at Dave's stuff because he lately has favored odd meter tunes, which are very challenging for me to solo fluidly over.  It's also fun just to watch Dave's hands while he plays--he makes it all look so easy and relaxed.  I feel like my own keyboard playing will never reach that point.

Duluth

Yacht Rock played a really enjoyable show in Duluth, GA Saturday night.  The city hosts a couple of summer concerts at their city hall complex.  It's all very well laid out, with a nice area for the crowd, a large covered stage, comfortable green room, and easy load in.  Well done!



Monday, June 6, 2016

Less Than Total Recall

Another wild weekend of travel and hot gigs.  Here's what I remember:

Wednesday:  Knowing that I would basically not be home for anything until Sunday, I stayed up late Tuesday night tying up a bunch of loose ends.  Unfortunately, that meant that I only got about three hours of sleep before it was time to get up and run downtown for a commercial shoot.

Yacht Rock was invited to rework our original song Can't Wait for Summer and star in a commercial for the Atlanta Streetcar.  I believe they're trying to have it finished by the end of June.


I was asked later where we went on the streetcar, and I really have no idea.  We traveled the 2.7 mile loop, but I kept falling asleep when the I wasn't directly involved in a shot!  Groups of extras and a couple of band members got off at a few of the spots and shot things outside of the train.  Here's my bit at Woodruff Park.  It was, I guess, a nice break from enduring questions from people who had no idea who we were and why we were there, or--even worse--the frat boy who engaged me in conversation by saying, "I played saxophone in eighth grade."  I never now how to politely respond to super dumb shit like that.  I suppose, "Me too!" would've been effective.  Later in the shoot, he followed up with, "I always preferred alto,"...like I care.

photo by Peter Olson

Enough of that!  We finished up just after noon, changed and ate lunch, and then piled in the van for our trip to Sea Island for a private show Thursday night.  Dinner was in Pooler, GA.


Thursday:  We spent the night in Brunswick, GA, in a hotel right off I-95.  It's safe to say that we all slept pretty late.  I went for a run before we headed off to Sea Island.  It's already too hot!


Lunch included a nice spread of our usual backstage fruit, trail mix, and beer, plus BBQ.  We all signed this guitar (a door prize at the evening's big event) on the way out to the stage.


Golf carting to the stage!



Here's the view out the back of the stage.  Low tide was very stinky.


Off the front of the stage:


We were set up in an area right off the driving range.  At the time that we began setting up, the winds off the ocean were pretty strong--so much so that wind noise kind of wrecked everybody's monitor mixes.  Later on (after a brief sprinkle of rain), things calmed down quite a bit.  By nightfall, the ocean breeze and the temperature were perfectly agreeable.

photo by Peter Olson
After sound checking ourselves, we rehearsed with almost all of the guests (Eddie Money declined the invitation).  Everybody else:  Mickey Thomas and Stephanie Calvert from Starship;  Steve Augeri from Journey;  Peter Beckett and Ronn Moss from Player; Matthew Wilder; and Robbie Dupree.  

photo by Peter Olson
 Sterling came by to hang around off the side of the stage.  Great dog!


Pre gig picture with most of the guests.  Neither Eddie Money nor the Starship guys hung out with us.

photo courtesy of Matthew Wilder
A little backstage warming up.

photo by Peter Olson

I was doing well until we got to Matthew Wilder's Kid's American.  In between the last double chorus and the outro sax solo, there's sixteen measures of groove.  I got excited about trying to mow down front row of people and left those sixteen measures out, and as soon as I laid into the first note, I knew I was wrong.  The only thing to do was keep going.

The only other songs that worried me were the Starship songs Nothing's Gonna Stop Us Now and Sara.  I didn't lay an egg on either song, but neither is comfortable, even after a couple of weeks of working on them.

Eddie Money appeared side stage during the Starship songs.  He was in pretty good form for his songs, and we got another dose of his jokes/stage banter, which Greg mentally filed away for use on Yacht Rock gigs.  Eddie's only Spinal Tap moment was that he thought we were in Jacksonville, and made mention of it a couple of times.  In his defense, it was probably a lovely night in Florida, too.

photo by Zach Wetzel


Here's my best story from this trip:  we finished the show and people from the audience began to congregate off the side of the stage for pictures.  A drunk girl came over and asked a few of us to sign her chest.  Monkeyboy almost ruined it by insisting that she expose more boob, declaring that he was unwilling to sign her neck.  No nipples or anything, but she pulled the front of her sundress down more.  Awesome.  David B Freeman sliding off her right boob and into her cleavage.  I gave her the Sharpie back, and we turned around and took several photos with the stars and various guests.  Three minutes later, I stood up (I'd been kneeling in the photos), turned around, and there she is again.  "Do you want to sign my boobs?"  "Hell yeah!"  So, David B Freeman right across her left breast.  Bam.  Here's your Sharpie.

Load out:  we made a big pile of gear, and then it was loaded into wagons pulled by tractors.  Zach met them at the trailer and packed everything.



I have no explanation for this, but it was funny at the time.





Friday:  back on the road, back to Atlanta.  We did our annual show at the Druid Hills Golf Club--always a very relaxed night.


New gear!  Mark Cobb's new butt kicker showed up.  For those who may not know what this is:  the green box is an amplifier.  Kip and Zach send him a low frequency signal (mostly coming from the bass guitar and kick drum), and the amplifier shakes his drum throne so he feels it much more than he would be able to if only using his in ear monitors.  This is a brand new system.  It looks fantastic.



This gig...I had a hard time getting going.  The whole first set, I was mentally about a half second late.  Maybe I was still a little burned out from the night before.  The second set was better.  Good crowd, and Druid Hills is always nice to us.  I went home with a boatload of bananas.

Saturday:  after a good night's sleep, it was time to get going again, this time to Lake Lanier for a show in Gainesville.  Nick was out, so Greg Lee rotated to the lead singer position and Rob Henson subbed on bass.

But first...another new keyboard stand!

This is the stand we (Bencuya and I) used in Iowa last month that we both liked.  It has the same features as the stands we currently use, but the construction is much better.  I think we have a winner!


I drove an hour and a half to get to the gig, and Kip advised that in a half hour, the weather would get bad.  Correct!  The deluge almost washed us off the stage.  I had set up most of my stuff, but there was enough of a warning to get almost everything back in its case before the storm hit.




The storm was over within ten minutes, but because it blew water everywhere, we had to take everything off the stage and let the local crew attempt to dry it.



After a second, less powerful shower, the crew attempted to once again dry the stage (there was no way we could lay in electricity down with that much standing water).



In the mean time, we waited.  Pete suggested that we try and play with less gear so that we could clear the stage quickly if another thunderstorm popped up unexpectedly.  It was a tough call--the organizer guy was definitely not happy about that option.  Ultimately, we decided to go for it with full gear, but quit early if the weather threatened again.  The local guys came through with a drum kit so that Mark Cobb wouldn't have to risk any of his gear.


Monkeyboy took his in ear monitors home Friday night and forgot to bring them, so he used Pete's regular old headphones.  I think he might have liked this option too much!



Here we go!  We played 8-9:30 PM--one regular set and a short second set.  The setting was pretty cool--this was the setting for the Olympic rowing and kayaking events in 1996.  All of the tables were full (even with the earlier thunderstorm) and maybe twenty boats were tied up behind us.



When we finished (but before the encore), about half the people booed us.  I'm not sure if that was a "Don't stop now!  This is amazing!" boo or a "Y'all haven't played a long enough second set and you're pussies about the weather!" boo.  Regardless, we packed up and got away from there in record time.  I hope it poured after we were gone.

Here's a brief article about the show:  http://www.gainesvilletimes.com/m/section/6/article/117330/


We have a slow week ahead.  The next gig is Saturday night in Duluth, GA:  http://www.gwinnettdailypost.com/entertainment/duluth-concert-series-features-three-bands-one-place/article_f10e27fc-9c74-56e0-910e-05bc449db4cf.html