Saturday: following my shitty performance at the Dave and Dave Duo gig at Venkman's, I boogied home for around 40 minutes before returning to town to meet the band and head to the airport. We flew out in the evening and landed around 10 PM in Las Vegas.
A few of us stopped in the sushi restaurant before we left, and the service was so slow that those guys had to chug their drinks and hustle to the gate.
The southwest at night is mostly dark nothingness dotted with the occasional well lit town. Pretty cool. It makes you realize how sparsely populated that part of the country is.
Then, you reach Vegas.
Somebody pointed out that the Las Vegas airport baggage claim is immense, two huge rooms of conveyor belts, slot machines, and video boards berating you with ads for shows. I've never seen more than two baggage carousels in action there at any given time.
Greg Lee brought a luggage cart for his pedal board. Smart move! We had to walk pretty far, it'd been a long day, and he's getting older all the time.
Sunday: first day of rehearsal in Vegas. We'd done four days of rehearsal in Atlanta before we got here. The first half of this day was spent building monitor mixes. In what would prove to be a major difficulty down the line, each song was saved as its own mix, giving us around twenty-five "scenes." The advantage to this is that you could change what you're hearing from song to song (for instance, if you need a bunch of extra guitar for one song). The disadvantage is that if you want to make a change to the overall balance in your ears, you have to fix it twenty-five times.
I wonder why we didn't use in ear monitors at the rehearsals in Atlanta and set all of this stuff before we came out west. We probably could've even used a Yacht Rock show file and augmented it with the extra horns and vocals. It would have been a pretty good place to start.
The whole situation with our monitors made me appreciate Kip and Zach even more, because their approach is so well thought out and they know how their gear works. The gear and the set up in Vegas seemed to constantly confound our engineer, even though he presumably requested this specific mixing desk and had a plan for how to use it.
Rob and I were sure it was Monday. Rich didn't care.
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| the year's horn section: Rob Opitz (trumpet), Richard Sherrington (trombone), and me |
Two panoramas of my hotel--easily one of the best hotel rooms I've ever had.
I went for a run in between rehearsal and dinner. The famous Las Vegas sign was in the median about a mile south of our hotel (Mandalay Bay). There's a parking lot (also in the median), and buses pull up around the clock so people can jump out and have their photos taken. I always thought it was just a sign on the side of the road out in the desert.
Monday: Our call time wasn't until lunch, affording me a little time to run up the strip.
I like the "TIPS" sign tucked in the bib. Chucky was disappointed that all I had was my room key.
More of the same stuff at rehearsal as yesterday. Rich had already memorized the charts, so his iPad was for tuning. Free wifi meant he could also watch the "football" (soccer) game.
Monday night was our first rehearsal in the arena. It's super cool to play in a room like this.
Unfortunately, we had big problems with the monitors. After an our an a half of this (somebody pointed out that the local crew was union and they were racking up the overtime), we were released without playing a single song.
The horns took a field trip to another casino to see a very slick show band called Santa Fe and the Fat City Horns. Nifty arrangements!
Tuesday: back to the rehearsal studio. This year we also had a group of professional dancers (several if not all of whom are doing Cirq du Soleil shows in Vegas) added in for a few songs. They were incredible! Since they were all in one place for our rehearsal, they spent a little bit of time running through a light show for a separate performance.
Each dancer had two light wands, and each wand received information from a computer synced to music, so as they swung them, the patterns changed. At first it was fire, then it was a pattern, then they were solid colors, and finally words. How cool is that!
The rest of rehearsal was spent fixing and tweaking and fixing and tweaking monitor mixes again and again and again. All kinds of problems with the mixes.
Also, the occasional break.
I went for another run after rehearsal. At the north end of the strip, there's a similar sign to its more famous counterpart.
There's a roller coaster on top of this (Stratosphere). No thank you.
The north end also has more wedding chapels and rough looking motels--the kind that advertise jacuzzis and free ESPN.
Elvis was here.
Other stuff on the strip:
This guy's whole act was to try to climb out of the planter along the sidewalk, then slide back into the bushes. Over and over, working for tips.
Wednesday: rehearsal in the arena again!
Here's Rich trying to take a picture of us looking at ourselves on the giant video board behind us.
Probably fixing monitor mixes again.
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| (photo cred Keisha Jackson) |
Thursday: Show day! Everybody delivered--it couldn't have gone any better. The in ear mixes weren't great, but they were stable, so we could play fine. I only had to rip them out once.
Post gig, I went for a run. With all this money I just made on this gig (and approximately twenty hours to kill in Vegas)...
I had chicken teriyaki for dinner, and then $9.57 worth of frozen yogurt for dessert. I also wasted $5 pretending to gamble.
The wrap party was pretty low key.
We played pool and drank beer and shouted over the DJ.
Friday: I went for a walk, trying to kill time until the our noon check out. Vegas had fantastic weather the entire time we were out here.
Early in the flight.
Later in the flight.
Delta showed the newest Star Wars movie, unfortunately not on seat back displays. This was good enough to pass the time, though.
Back in Atlanta, standing around at the airport at 10 PM on a Friday night. Wooooo.
